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experienced all this alone with the beautiful East American nature, allowing what
he experienced in his poems only in the form of deaf allusions.
The object of study of this course work is the spirit of the American
common people, its culture, expressed by the poet with the help of certain stylistic
devices.
The literary tropes themselves become the subject of study, and there are
a great many of them in the works of the American writer. Although it can
sometimes be difficult to identify one or another stylistic turn, but considering all
of Frost's work as a whole, according to the overall picture, much is revealed to the
reader's eyes.
Frost's
external publicity , combined with internal closeness, gave rise to
false
stereotypes about him, which are still partly alive.
Frost is called the "poet of the countryside" . But the idea of Frost as a singer
of nature and the joys of simple rural life is completely wrong . Frost does not sing
of nature, as a city dweller might; Frost knows her too well for that .
Frost is
deeply attached to nature, he sees its beauty and strength, but never forgets that
nature
is sometimes hostile, and more often indifferent to man. Nature can be a
mirror for a person, but the mirror does not save from loneliness. In Frost's poetry,
man and nature act in parallel, they are directly interconnected. The
poet showed
that the only and main difference between man and nature is that man is a finite,
mortal being, and nature is experiencing an uninterrupted cycle of being (“Home
Cemetery”, “Death of a Laborer”, “Love and Mystery.”)
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