A m b r I d g e university press

E
the unrealistic aim of the WZCS in view of the
number of species “saved” to date
F
the policies of WZCS zoo managers
25
What word best describes the writer’s response to Colin Tudges’ prediction on captive
breeding programmes?
A
disbelieving
B
impartial
C
prejudiced
D
accepting
Questions 26-28
The writer mentions a number oj factors 
H
 hich lead him to doubt the value of the WZCS
document Which THREE of the following factors are mentioned? Write your answers (A-F)
in boxes 26-28 on your answer sheet.

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28
Practice Test 1
READING PASSAGE 3
You should spend about 20 minutes on Questions 29-40 which are based on Reading Passage
3 below.
ARCHITECTURE Reaching for the Sky
Architecture is the art and
science of designing buildings
and structures. A building
reflects the scientific and
technological achievements
of the age as well as the ideas
and aspirations of the
designer and client. The
appearance of individual
buildings, however, is often
controversial.
The use of an architectural
style cannot be said to start or
finish on a specific date.
Neither is it possible to say
exactly what characterises a
particular movement. But the
origins of what is now
generally known as modern
architecture can be traced
back to the social and
technological changes of the
18th and 19th centuries.
Instead of using timber,
stone and traditional building
techniques, architects began
to explore ways of creating
buildings by using the latest
technology and materials
such as steel, glass and
concrete strengthened steel
bars, known as reinforced
concrete. Technological
advances also helped bring
about the decline of rural
industries and an increase in
urban populations as people
moved to the towns to work in
the new factories. Such rapid
and uncontrolled growth
helped to turn parts of cities
into slums.
By the 1920s architects
throughout Europe were
reacting against the
conditions created by
industrialisation. A new style of
architecture emerged to reflect
more idealistic notions for the
future. It was made possible by
new materials and construction
techniques and was known as
Modernism.
By the 1930s many buildings
emerging from this movement
were designed in the
International Style. This was
largely characterised by the bold
use of new materials and simple,
geometric forms, often with
white walls supported by stilt
like pillars. These were stripped
of unnecessary decoration that
would detract from their primary
purpose — to be used or lived in.
Walter Gropius, Charles
Jeanneret (better known as Le
Corbusier) and Ludwig Mies van
der Rohe were among the most
influential of the many architects
who contributed to the
development of Modernism in
the first half of the century. But
the economic depression of the
1930s and the second world war
(193945) prevented their ideas
from being widely realised until
the economic conditions
improved and wartorn cities
had to be rebuilt. By the 1950s,
the International Style had
developed into a universal
approach to building, which
standardised the appearance of
new buildings in cities across the
world.
Unfortunately, this Modernist
interest in geometric simplicity
and function became exploited
for profit. The rediscovery of
quickandeasytohandle
reinforced concrete and an
improved ability to
prefabricate building sections
meant that builders could
meet the budgets of
commissioning authorities
and handle a renewed
demand for development
quickly and cheaply. But this
led to many badly designed
buildings, which discredited
the original aims of
Modernism.
Influenced by Le
Corbusier’s ideas on town
planning, every large British
city built multistorey housing
estates in the 1960s. Mass
produced, lowcost highrises
seemed to offer a solution to
the problem of housing a
growing innercity population.
But far from meeting human
needs, the new estates often
proved to be windswept
deserts lacking essential
social facilities and services.
Many of these buildings were
poorly designed and
constructed and have since
been demolished.
By the 1970s, a new respect
for the place of buildings
within the existing townscape
arose. Preserving historic
buildings or keeping only their
facades (or fronts) grew
common. Architects also
began to make more use of
building styles and materials
that were traditional to the
area. The architectural style
usually referred to as High
Tech was also emerging. It

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Reading
celebrated scientific and
engineering achievements by
openly parading the
sophisticated techniques
used in construction. Such
buildings are commonly
made of metal and glass;
examples are Stansted
airport and the Lloyd’s
building in London.
Disillusionment at the
failure of many of the poor
imitations of Modernist
architecture led to interest in
various styles and ideas from
the past and present. By the
1980s the coexistence of
different styles of architecture in
the same building became
known as Post Modern. Other
architects looked back to the
classical tradition. The trend in
architecture now favours smaller
scale building design that
reflects a growing public
awareness of environmental
issues such as energy
efficiency. Like the Modernists,
people today recognise that a
well designed environment
improves the quality of life but is
not necessarily achieved by
adopting one well defined style
of architecture.
Twentieth century
architecture will mainly be
remembered for its tall
buildings. They have been
made possible by the
development of light steel
frames and safe passenger
lifts. They originated in the US
over a century ago to help
meet the demand for more
economical use of land. As
construction techniques
improved, the skyscraper
became a reality.
Ruth Coleman
Questions 29-35
Complete the table below using information from Reading Passage 3. Write NO MORE