Current research journal of philological
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- CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES ISSN – 2767-3758 99 https://masterjournals.com/index.php/crjps
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KEYWORDS: - Stylistics, poetry, phonetic stylistic devices, onomatopoeia, alliteration, rhyme, sound. CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 2(10): 98- 103, October 2021 DOI: https://doi.org/10.37547/philological-crjps-02-10-19 ISSN 2767-3758 ©2021 Master Journals Accepted26 th October, 2021 & Published 31 th October, 2021 CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES ISSN – 2767-3758 99 https://masterjournals.com/index.php/crjps Running away. The following lines are taken from famous poem “The bells” by Edgar Allan Poe” that use onomatopoeia [9, 3]. For example: Hear the sledges with the bells— Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! Alliteration is the recurrence of an initial consonant sound in two or more words which either follow each other or appear close enough to be noticeable. Functions of alliteration are to consolidate effect, to heighten the general aesthetic effect, to impart a melodic effect to the utterance, emphasis and mnemonic effects. Shel Silverstein frequently used alliteration in his poems for children to create a fanciful tone, even when it meant creating nonsense words. "The Gnome, The Gnat, & The Gnu" repeats the "gn" sound throughout the verse. I saw an ol' gnome Take a gknock at a gnat Who was gnibbling the gnose of his gnu. I said, "Gnasty gnome, Gnow, stop doing that. That gnat ain't done gnothing to you." He gnodded his gnarled ol' head and said, "'Til gnow I gnever gnew That gknocking a gnat In the gnoodle like that Was gnot a gnice thing to do." William Shakespeare's work frequently featured alliteration. There are several examples in Romeo and Juliet, but his poetry often used alliteration too. In "Sonnet 5," for example, the "b" sound in beauty, bareness, and bereft set a romantic tone. In the last line, the "s" in show, substance, and sweet provide a soothing rhythm[10, 4]: For never-resting time leads summer on To hideous winter and confounds him there, Sap checked with frost and lusty leaves quite gone, Beauty o'er-snowed and bareness everywhere. Then were not summer's distillation left, A liquid prisoner pent in walls of glass, Beauty's effect with beauty were bereft, Nor it nor no remembrance what it was. But flowers distilled, though they with winter meet, Leese but their show; their substance still lives sweet. "Birches" by Robert Frost repeats the "b" sound throughout the first four lines to emphasize the dominant theme of the poem [5, 1]. For example: When I see birches bend to left and right Across the lines of straighter darker trees, I like to think some boy's been swinging them. But swinging doesn't bend them down to stay. “Much Madness Is Divinest Sense" by Emily Dickinson uses alliteration of the "m" sound in the title [3, 5]. This is repeated in the poem itself to encourage readers to contemplate what it means to be mad. Much Madness is divinest Sense - To a discerning Eye – Much Sense - the starkest Madness – 'Tis the Majority CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 2(10): 98- 103, October 2021 DOI: https://doi.org/10.37547/philological-crjps-02-10-19 ISSN 2767-3758 ©2021 Master Journals Accepted26 th October, 2021 & Published 31 th October, 2021 Yüklə 0,77 Mb. Dostları ilə paylaş:
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