HISTORY
OF INDUSTRIAL DESIGN
The term
industrial design was originated in 1919 by the
American industrial designer Joseph Sinel. Initially, industrial
designers dealt exclusively with machine-made consumer products.
Eventually, however, the scope of the profession enlarged to
include the design of capital goods, such as farm machinery,
industrial tools,
and transportation equipment, and the planning of
exhibitions, commercial buildings and packaging.
Before the Industrial Revolution, goods were handmade by
artisans, who were usually involved in the whole process of
creation, took pride in their work, and often sold their wares
directly to the customer. The development in the 18th
century of
the factory system, with mass production and specialization of
labor and the appearance of middlemen, changed the situation.
Factory workers tending machines had little involvement with a
product and felt no responsibility to the buyer. Factory owners
were often chiefly concerned with profits. As a result, although
many
products, such as cast-iron stoves and building units, were
functional, many more were ugly and badly made. Applications of
machine-made ornament in hopes of disguising low quality and
pleasing a mass market were usually an aesthetic failure. A few
late 19th-century reformers, such as the English designer William
Morris and members of
the Arts and Crafts movement, protested
and advocated a return to the standards of medieval handicrafts.
They influenced art nouveau style and the Vienna Secession (
see
Sezessionstil) movement, but these attempts at improved design
had little effect on mass production at the time.
Another source
The first use of the term "industrial design" is often
attributed to the designer Joseph Claude Sinel in 1919 (although he
himself denied this in interviews), but the discipline predates 1919
by at least a decade. Christopher Dresser is considered the world's
first Industrial Designer. Industrial design's origins lie in the
industrialization of consumer products.
For instance the Deutscher
Werkbund, founded in 1907 and a precursor to the Bauhaus, was a
state-sponsored effort to integrate traditional crafts and industrial
mass-production techniques, to put Germany on a competitive
footing with England and the United States.
The earliest use of the term may have been in the following
work:
The Art Union. A monthly
Journal of the Fine Arts
Volume One for the year ending December 1839 Published at the
Art Union Office Catherine Street Strand Page 143
“Dyce's report to the Board of Trade on foreign schools of Design
for Manufactures. Mr. Dyces official visit to France, Prussia and
Bavaria for the purpose of examining the state of schools of design
in those countries will be fresh in the recollection of our readers.
His report on this subject was ordered to be printed some few
months since, on the motion of Mr. Hume.”
“The school of St. Peter, at Lyons was founded about 1750 for the
instruction of draftsmen employed in preparing
patterns for the silk
manufacture. It has been much more successful than the Paris
school and having been disorganized by the revolution, was
restored by Napoleon and differently constituted, being then
erected into an Academy of Fine Art: to which the study of design
for silk manufacture was merely attached as a subordinate branch.
It appears that all the students who entered the school commence
as if they were intended for artists in the
higher sense of the word
and are not expected to decide as to whether they will devote
themselves to the Fine Arts or to Industrial Design, until they have
completed their exercises in drawing and painting of the figure
from the antique and from the living model. It is for this reason,
and from the fact that artists for industrial purposes are both well
paid and highly considered (as being well instructed men) that so
many individuals in
France engage themselves in both pursuits.”
The practical draughts man's book of industrial design: was printed
in 1853.