International bulletin of applied science and technology

IB
M
SC
R
 
| Volu
me 2,
 Is
su
e 8, Augus
t 
IB
AST
 
| Volu
me 3
, Is
sue 6
, J
un
e 
1117 
INTERNATIONAL BULLETIN OF APPLIED SCIENCE 
AND TECHNOLOGY
ECHNOLOGY 
 
UIF = 8.2 | SJIF = 5.955 
ISSN: 2750-3402 
IBAST
The reason for this is the similarity in the beginning of the Aytim and Chertim 
sections of Khorezm statuses. In the Khorezm period, some songs of the Sarahbors were 
turned into large-scale songs without a terma. There are three taronas in "Sarahbori Rost", 
they are called "Tarona", "Suvora", "Naqsh". 
After the words of the Sarahbors are recited with their taronas, the interpretation is 
transferred to the Shohbas. They are called Talqini Rost, Talqini Buzruk, Talqini Navo, Talqini 
Segoh. There are fifteen prose lines in Khorezm maqams, and eight prose shohbas are given in 
the book "Maqams of Khorezm". They are called "Navrozi Sabo" in "Rost" status, Nasrullayi in 
"Buzruk", Faryod and Orazi Navo in Navoda, Chorgoh and Bayot in Dugoh, Sabo in Segoh, 
Navrozi Khoro, Nasri Ajam. 
Suvora roads are one of the most popular performances in Khorezm. The phrase 
"Suvora" means "horseman" or "rider" in Tajik. Suvoras are large in form like maqam shohbas, 
and their methods are Saqiynama or Ufar circle methods. Currently, various examples of 
Suvora roads are widespread. The first main Big Suvora is called "Ona Suvora" or "Uzbek 
Suvorasi". Sometimes it is called "Tajik Suvorasi". 
In conclusion, Shashmaqom acquired a unique process of change and development at the 
heart of the Khorezm performing arts school. The ways and methods of drawing have been 
condensed, and additional samples have been introduced by the composers. The authorities of 
Khorezm retained their independence from the executive point of view. Over the centuries, 
the status of Khorezm, which has been passed down from teacher to student, from generation 
to generation, from mouth to mouth, is being manifested with its bright and colorful 
appearance as time goes by. Performance of Khorezm maqamat art is always honored as an 
integral part of our musical culture. 
References: 
1.Бобожон Тарроҳ Азизов Ходим. Хоразм навозандалари. – Т.: Ғ.Ғулом, 1994.
2.Матёқубов О. Мақомот. – Тошкент: Мусиқа, 2004. 
3.Матёқубов О., Болтаев Р., Аминов Ҳ. Ўзбек нотаси. – Т., 2007. 
4.Ражабий Ю. Музика меросимизга бир назар. – Т., 1978. 
5.Ражабов И. Мақомлар. – Т., 2006. 
6.Xorazm klassik musiqasi, T., 1939; 
7.Oʻzbek xalq musiqasi, 6 jild., Tashkent., 1958