sitting-room, whose walls were lined with wainscoting of panelled
oak reaching from
floor to ceiling, the latter being crossed by huge
moulded beams only a little way above her head. The mantelpiece
was of the same heavy description, carved with Jacobean pilasters
and scroll-work. The centuries did, indeed, ponderously overhang a
young wife who passed her time here.
She had opened a rosewood work-box, and was looking at a
photograph. Having contemplated it a little while she pressed it
against her bosom, and put it again in its place.
Then becoming aware that she had not obscured the windows she
came forward to do so, candle in hand. It was too dark for her to see
Jude without, but he could see her face distinctly, and there was an
unmistakable tearfulness about the dark, long-lashed eyes.
She closed the shutters, and Jude turned away to pursue his soli-
tary journey home. ‘Whose photograph was she looking at?’ he said.
He had once given her his; but she had others, he knew. Yet it was
his, surely?
He knew he should go to see her again, according to her invitation.
Those earnest men he read of, the saints, whom Sue, with gentle
irreverence, called his demi-gods would have shunned such
encounters if they doubted their own strength. But he could not. He
might fast and pray during the whole interval, but the human was
more powerful in him than the Divine.
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