Tayanch tushunchalar
Lirika. Uning kichik janrlari – fard, musallas, ruboiy, tuyuq, to’rtlik. Lirikaning o’rtacha janrlari – g’azal, marsiya, ashula, qo’shiq, sonet. Lirikaning “yirik” janrlari – tarji’band, tarkibband.
Adabiyotlar:
T. Boboyev. Adabiyotshunoslik asoslari, T., «O’zbekiston», 2002, 477-512- betlar.
D. Quronov. Adabiyotshunoslikka kirish, T., A. Qodiriy nomidagi Xalq merosi nashriyoti, 2004, 182-191-betlar.
H. Umurov. Adabiyotshunoslik nazariyasi, T., A. Qodiriy nomidagi Xalq merosi nashriyoti, 2004, 225-238-betlar.
Mavzu: Dramatik tur
Reja:
Teragediya, komediya, drama janrlari
Melodrama, monodrama, intermediya, libretto
The poetic response, unlike the scientific, respected the sensuousintegrity of its object: it was not a matter of rational cognition but anaffective affair which linked us to the 'world's body' in an essentially religious bond. Through art, an alienated world could be restored to us in all itsrich variousness. Poetry, as an essentially contemplative mode, would spurus not to change the world but to reverence it for what it was, teach us toapproach it with a disinterested humility.
Dramatik turda hayot va insonlar o’rtasidagi munosabatlar ifodasi tomoshabin ko’z o’ngida, muayyan sahna vaqti ichida harakatda sodir bo’ladi, shu sabab unda so’z va sahna san’ati birlashadi, birbutunlik kasb etadi.
Faqat harakat jarayonidagi g’oyalar kurashi aniq, yorqin, keskin, tomoshabinni larzaga soladigan tarzda ifodalanadi; bu o’z navbatida hayot qa’ridagi va inson ruhiyatidagi dramatik ziddiyatdan kelib chiqadi. Bu ziddiyatning turli-tuman xarakteri, ya’ni dramatizmga to’liq voqea-hodisalar va xarakterlarning ko’p qirraligi ko’plab dramatik janrlar(ularning hammasini “pyesa”- “birbutun”, “ulush”deb yuritish odati ham hayot)ning tug’ilishiga sabab bo’lgan. Ular quyidagilar: tragediya, komediya, drama, tragikomediya, melodrama, insenirovka, intermediya, monodrama va sh.k.
Dostları ilə paylaş: |
