My father died when I was forty
And I couldn't find a way to cry
Not because I didn't love him
Not because he didn't try
I'd cried for every lesser thing
Whiskey, pain, and beauty
But he deserved a better tear
And I was not quite ready
The lyrics boomed through the living room. Mystery was lying in the pillow
pit with his computer on his chest. He was playing the song "The Randall
Knife" by Guy Clark over and over.
He seemed to be in need of attention. So I walked over and gave him
some.
"My dad died," he said. His voice was flat and even. It was hard to tell if
he was sad or not. "It's about time. It happened very quickly. He had an-
other stroke, and then he died at 10:00 A.M. today."
I sat down next to him and listened to him talk. He was a passive ob-
server of himself, analytically deconstructing his emotions as he felt them.
"Even though I was ready for it, it's strange. It's like when Johnny Cash
died. You knew it was going to happen, but it was still a shock."
Mystery had hated his dad his whole life and wished death on him
countless times. But now that it had happened, he didn't know how to feel.
He seemed confused that he felt a little sad, despite himself.
"The only times we ever bonded were when a hot woman came on TV,"
he said. " Then he'd look at me and I'd look at him, and we'd quietly appre-
ciate it together."
A few days later, we hosted the first annual Pickup Artist Summit at
our house. PUAs from around the world flew in to speak, and several hun-
dred rAFCs (recovering average frustrated chumps) gathered in our living
room to hear them. Our housemates Playboy and Xaneus, who Papa and
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Tyler Durden had been training to become instructors, opened the pro-
ceedings.
As Playboy discussed body language, I thought back to Belgrade and
the first workshop I'd taught with Mystery. I remembered too-cool Exoti-
coption, Sasha skipping down the street with his first e-mail-close, and
Jerry's sense of humor. I loved those guys. I cared about them. I wanted
them to get laid. I e-mailed them for months afterward, checking on their
progress.
Now I looked around the living room and saw neediness and hunger
and desperation. Bald guys with goatees—miniature and super-sized ver-
sions of myself—asked me to pose for photos with them. Good-looking
guys who could have been models clamored for advice on hairstyles and
clothes to buy, and then asked me to pose for photos with them.
Two gangly brothers at the convention—both virgins—brought their
sister along. She was a quiet nineteen-year-old imp with large eyes, gum-
drop breasts, and a hip-hop fashion sense. Thanks to her brothers, she
knew everything about the game. When guys approached her with cocky
funny lines, she told them, "Don't try that David DeAngelo stuff on me. I've
read it all." She introduced herself as Min, and then asked me to pose for a
photo with her.
"I'm a big fan of your posts," she said.
"You've read them?" I asked, shocked.
"Yeah." She bit her lip.
For my presentation, I brought in five of the girls I was dating. I ran
routines on them, and then used them as a panel of experts to critique the
clothing and body language of various wanna-be players in the audience. I
received a standing ovation.
Afterward, I sat on our newly purchased blood-red couches surrounded
by Papa, Tyler Durden, and a few of their students. They were discussing
the video of Mystery and I picking up Caroline and Carry. Somehow, Gun-
witch had gotten hold of it and put it on the Internet, shattering what was
left of my anonymity.
"It's so genius," Papa was saying. "Tyler Durden has broken down
everything Style does to a science. He calls it Stylemogging."
"What's that?" one of the students asked.
"It's a type of frame control," Tyler Durden replied. A frame is an NLP
term: It is the perspective through which one sees the world. Whoever's
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frame—or subjective reality—is the strongest tends to dominate an interac-
tion. "Style has all these really subtle ways of keeping control of the frame
and getting people to qualify themselves to him. He makes sure that the fo-
cus is always on him. I'm writing a post about it."
"That's awesome," I said.
Suddenly, Papa, Tyler Durden, and the students laughed. "That's one
of the things you do," Papa said. "Tyler's writing about that."
"What? I just said 'awesome.' That's because I think it's hilarious. Seri-
ously, I can't wait to read it."
They all laughed again. Evidently I was Stylemogging them.
"See," Tyler Durden said. "You'll use curiosity as a frame to get rapport
and make the other person lose social value. When you show approval like
that, it makes you the authority and makes other people want to seek your
validation. We're teaching that."
"Shit," I replied. "Now, every time I say something, people are going to
think I'm running a Real Social Dynamics routine."
They all laughed again. And that's when I realized that I was fucked:
Everything Tyler Durden was writing about wasn't anything I had learned
in the community. That was all part of me and who I really was. And even
though he had my intentions wrong—that was his frame, his way of looking
at the world—he had my mannerisms down. He was taking the building
blocks of my personality, giving them names, and turning them into rou-
tines. He was going to take my soul and spread it all over the Sunset Strip.
On the last day of the summit, Mystery had a brainstorm: He was going to
raise the price of his workshop from six hundred dollars to fifteen hundred.
He wanted Papa to change the website to reflect the increase.
"That doesn't make sense," Papa protested. "The market won't support
that." Papa rarely went out anymore. Instead, he spent his nights working
on the Real Social Dynamics website and Internet affiliate program. Since
we'd moved into the house, I'd seen him with a woman exactly once.
"It's my method," Mystery said. "People will pay. I've worked it all out."
"It's not practical." Papa stared straight through Mystery's chest. He
didn't like confrontation.
"This is unacceptable!"
Mystery stomped through the living room, where Extramask was giving
a presentation. Extramask had arrived in town a week before the seminar and
was sleeping somewhere in the house—I wasn't sure exactly where, since Papa
had run out of closets to stuff people into. I had hardly talked to Extramask
since he'd arrived. He was always either in Papa's room working for Real So-
cial Dynamics, winging a workshop with Tyler Durden, or working out.
I watched him for a few minutes. He was buff now, wearing a torn
T-shirt and a loosely knotted tie. He was telling the students that he hadn't
lost his virginity—or even held a girl's hand—until he was twenty-six-and-
a-half It was a gimmick now, part of his routine for guys. He had become
a guru too. And, along the way, he'd lost the innocence he had when we
first met.
"I do a lot of things with this cell phone, and it doesn't even work," he
said, holding it up. "I just like to talk into it and pretend that I'm the man,
especially if I feel uncomfortable at a club. Your cell phone is your best
wingman."
Extramask had great stage presence and an oddball sense of humor. I
wished he'd spend more time working on his stand-up comedy career
than teaching seduction. Unlike Mystery and Tyler Durden, he wasn't
born for this.
I followed Mystery into the kitchen. He was leaning against a counter,
waiting for me. "Papa's been doing workshops behind my back," he
fumed. "Someone told me they saw him at the Highlands with six guys
last weekend."
I hopped onto the counter and sat at eye level with him.
"Let me catch you up to speed on what else has been going on," he said.
I assumed he was going to complain about Papa, but instead he wanted to
talk about Patricia. She had started dating an African-American jock she'd
met at her strip club, and now she was pregnant with his baby. Though she
had no plans to marry him, she wanted to keep the child. Her biological
alarm clock was still ringing.
"I'm trying to look at this objectively," Mystery said, straddling a chair
at the breakfast table that no one used. "I'm not angry. But I am hurt. It
makes me want to kill the baby and kill him."
Among the required reading for all PUAs were books on evolutionary
theory: The Red Queen by Matt Ridley, The Selfish Gene by Richard Dawkins,
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