26
(lexico-syntactical) is based on the both- syntactical structure and interaction of lexical
meanings.
Simile
Simile is based on comparison of different objects
e.g.
She is beautiful like a flower.
She is cunnings like a fox.
We must distinguish simile from logical comparison. The main criterion for this
differentiation is the fact that in simile the objects compared belong to different spheres,
while logical comparison compare things of the same kind:
e.g.
She is beautiful like her mother. He is taller than his brother.
But this criterion being very important is not a decisive factor in many cases.
Sometimes it is very difficult to determine whether the objects compared belong to one
sphere or different spheres:
e.g.
Soames turned away, he had an utter disinclination/or talk like one standing
before an open grave, watching a coffin slowly lowered
( Galsworthy ).
In this example Soames' feelings are compared to the feelings of another man. In
spite of this fact it is not a logical comparison. The information included here is not of
logical but emotional character. So the decisive factor for the differentiation of the
logical comparison and simile is the character of the information they carry.
Similes like all stylistic devices can be trite and genuine. Trite similes belong to
expressive means and serve the purpose of expressiveness. From the point of view of
the content trite similes can be classified into the following groups:
1 .similes, describing the appearance:
e.g.
fair as a lily, fat as a pig, bright as a button.
2 similes, describing the features of the character:
e.g.
cheerful as a lark, industrious as an ant, faithful as a dog.
3. similes describing the actions:
e.g.
busy as a bee, fleet as a deer, slow as a tortoise.
4. similes describing the inner state:
e.g.
feel like a fish out of water, black as a sin, blush like a rose.
From the point of view of the connections between the components of trite similes we
can devide them into associated and non-associated:
1)
cunning as a fox, harmless as a dove
2)
fit as a fiddle, dead as a door-nail, right as a rain
.
The connection between the components of similes of this group are not
understandable. A very interesting confirmation of it is an example from Dicken's
«Christmas Carol».
Old Maley was
Dostları ilə paylaş: