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Gone Girl (Gillian Flynn) (z-lib.org)

AMY ELLIOTT DUNNE
JULY 21, 2011
I
am such an idiot. Sometimes I look at myself and I think:
No wonder Nick finds me ridiculous, frivolous, spoiled,
compared to his mom
. Maureen is dying. She hides her
disease behind big smiles and roomy embroidered
sweatshirts, answering every question about her health
with: ‘Oh, I’m just fine, but how are 
you
doing, sweetie?’
She is dying, but she is not going to admit it, not yet. So
yesterday she phones me in the morning, asks me if I want
to go on a field trip with her and her friends – she is having
a good day, she wants to get out of the house as much as
she can – and I agree immediately, even though I knew
they’d be doing nothing that particularly interested me:
pinochle, bridge, some church activity that usually requires
sorting things.
‘We’ll be there in fifteen minutes,’ she says. ‘Wear
short sleeves.’
Cleaning. It had to be cleaning. Something requiring
elbow grease. I throw on a short-sleeve shirt, and in exactly
fifteen minutes, I am opening the door to Maureen, bald
under a knitted cap, giggling with her two friends. They are
all wearing matching appliqueéd T-shirts, all bells and
ribbons, with the words 
The PlasMamas
airbrushed
across their chests.


I think they’ve started a do-wop group. But then we all
climb into Rose’s old Chrysler – 
old-
old, one of those
where the front seat goes all the way across, a
grandmotherly car that smells of lady cigarettes – and off
we merrily go to the 
plasma donation center
.
‘We’re Mondays and Thursdays,’ Rose explains,
looking at me in the rearview.
‘Oh,’ I say. How else does one reply? 
Oh, those are
awesome plasma days!
‘You’re allowed to give twice a week,’ says Maureen,
the bells on her sweatshirt jingling. ‘The first time you get
twenty dollars, the second time you get thirty. That’s why
everyone’s in such a good mood today.’
‘You’ll love it,’ Vicky says. ‘Everyone just sits and
chats, like a beauty salon.’
Maureen squeezes my arm and says quietly, ‘I can’t
give anymore, but I thought you could be my proxy. It might
be a nice way for you to get some pin money – it’s good for
a girl to have a little cash of her own.’
I swallow a quick gust of anger: 
I used to have more
than a little cash of my own, but I gave it to your son
.
A scrawny man in an undersize jean jacket hangs
around the parking lot like a stray dog. Inside, though, the
place is clean. Well lit, piney-smelling, with Christian
posters on the wall, all doves and mist. But I know I can’t do
it. Needles. Blood. I can’t do either. I don’t really have any
other phobias, but those two are solid – I am the girl who
swoons at a paper cut. Something about the opening of
skin: peeling, slicing, piercing. During chemo with Maureen,
I never looked when they put in the needle.
‘Hi, Cayleese!’ Maureen calls out as we enter, and a


heavy black woman in a vaguely medical uniform calls
back, ‘Hi there, Maureen! How you feeling?’
‘Oh, I’m fine, just fine – but how are 
you
?’
‘How long have you been doing this?’ I ask.
‘A while,’ Maureen says. ‘Cayleese is everyone’s
favorite, she gets the needle in real smooth. Which was
always good for me, because I have rollers.’ She proffers
her forearm with its ropey blue veins. When I first met Mo,
she was fat, but no more. It’s odd, she actually looks better
fat. ‘See, try to put your finger on one.’
I look around, hoping Cayleese is going to usher us in.
‘Go on, try.’
I touch a fingertip to the vein and feel it roll out from
under. A rush of heat overtakes me.
‘So, is this our new recruit?’ Cayleese asks, suddenly
beside me. ‘Maureen brags on you all the time. So, we’ll
need you to fill out some paperwork—’
‘I’m sorry, I can’t. I can’t do needles, I can’t do blood. I
have a serious phobia. I 
literally
can’t do it.’
I realize I haven’t eaten today, and a wave of
wooziness hits me. My neck feels weak.
‘Everything here is very hygienic, you’re in very good
hands,’ Cayleese says.
‘No, it’s not that, truly. I’ve never given blood. My doctor
gets angry at me because I can’t even handle a yearly
blood test for, like, cholesterol.’
Instead, we wait. It takes two hours, Vicky and Rose
strapped to churning machines. Like they are being
harvested. They’ve even been branded on their fingers, so
they can’t give more than twice in a week anywhere – the
marks show up under a purple light.


‘That’s the James Bond part,’ Vicky says, and they all
giggle. Maureen hums the Bond theme song (I think), and
Rose makes a gun with her fingers.
‘Can’t you old biddies keep it down for once?’ calls a
white-haired woman four chairs down. She leans up over
the reclined bodies of three oily men – green-blue tattoos
on their arms, stubble on their chins, the kind of men I
pictured donating plasma – and gives a finger wave with
her loose arm.
‘Mary! I thought you were coming tomorrow!’
‘I was, but my unemployment doesn’t come for a week,
and I was down to a box of cereal and a can of creamed
corn!’
They all laugh like near-starvation is amusing – this
town is sometimes too much, so desperate and so in
denial. I begin to feel ill, the sound of blood churning, the
long plastic ribbons of blood coursing from bodies to
machines, the people being, what, being 
farmed
. Blood
everywhere I look, out in the open, where blood isn’t
supposed to be. Deep and dark, almost purple.
I get up to go to the bathroom, throw cold water on my
face. I take two steps and my ears close up, my vision
pinholes, I feel my own heartbeat, my own blood, and as I
fall, I say, ‘Oh. Sorry.’
I barely remember the ride home. Maureen tucks me
into bed, a glass of apple juice, a bowl of soup, at the
bedside. We try to call Nick. Go says he’s not at The Bar,
and he doesn’t pick up his cell.
The man disappears.
‘He was like that as a boy too – he’s a wanderer,’
Maureen says. ‘Worst thing you could ever do is ground


him to his room.’ She positions a cool washcloth on my
forehead; her breath has the tangy smell of aspirin. ‘Your
job is to rest, okay? I’ll keep calling till I get that boy home.’
When Nick gets home, I’m asleep. I wake up to hear
him taking a shower, and I check the time: 11:04 p.m. He
must have gone by The Bar after all – he likes to shower
after a shift, get the beer and salty popcorn smell off his
skin. (He says.)
He slips into bed, and when I turn to him with open
eyes, he looks dismayed I’m awake.
‘We’ve been trying to reach you for hours,’ I say.
‘My phone was out of juice. You fainted?’
‘I thought you said your phone was out of juice.’
He pauses, and I know he is about to lie. The worst
feeling: when you just have to wait and prepare yourself for
the lie. Nick is old-fashioned, he needs his freedom, he
doesn’t like to explain himself. He’ll know he has plans with
the guys for a week, and he’ll still wait until an hour before
the poker game to tell me nonchalantly, ‘Hey, so I thought I’d
join the guys for poker tonight, if that’s okay with you,’ and
leave me to be the bad guy if I’ve made other plans. You
don’t ever want to be the wife who keeps her husband from
playing poker – you don’t want to be the shrew with the hair
curlers and the rolling pin. So you swallow your
disappointment and say okay. I don’t think he does this to
be mean, it’s just how he was raised. His dad did his own
thing, always, and his mom put up with it. Until she divorced
him.
He begins his lie. I don’t even listen.



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