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Visual Imagery: This is a typical literary device for drawing the reader’s attention to a scenario described in the text.
Auditory Imagery: The use of words that relate to the sensation of hearing is what auditory imagery is all about.
Olfactory Imagery: The aroma of inanimate items, a place, an animal, or a person is described using olfactory imagery.
Gustatory Imagery: When a poet utilizes terms that connect to the sensation of taste, this is referred to as “taste poetry.”
Tactile Imagery: Tactile imagery allows a poet to employ certain words to draw the reader’s attention. This is accomplished by employing the appropriate terminology to explain the sensation of touch.
Even though poems do not have to follow a specific beat, most poets prefer to have a rhythm in their poems to create a recurrent pattern. Rhyming words can be used to archive this. Regular or irregular rhythm can be created by rhyming words.
Rhythm is a poetry element that aids in the creation of a good and creative poem. It is the systematic regularity of a poem’s tempo and rhythm that is archived.
In poetry, we can see five types of rhythms that are used:
Iambic Pentameter: employs the usage of two syllables, stressed and unstressed. The first syllable is unstressed, but the second syllable is.
For example, in the statement –A to Z-, the first syllable has been stressed whereas the second has not.
Trochee: is a form of poetic rhythm that is also widely employed. Because the initial syllable is stressed and the second syllable is not, this is the polar opposite of iamb.
Mouthful numbers – The first syllable in this phrase is stressed, whereas the second one is not.
Spondee: This is when two syllables are stressed, as in the phrase ‘break, break, break.’
Dactyl: This is a different form of poetic rhythm. This is where the first syllable is stressed, followed by the remaining two. Take, for example, the word “wonderful.”
Anapest: The anapest rhythm is the polar opposite of the dactyl rhythm, in which the first two syllables are stressed but the last syllable is not, as in the example below:

“Hit the nail on the head.”- In this phrase, the first two syllables are stressed while the last one is not.

The general structure of a poem is aided by the presence of rhythm in poetry. Rhythm establishes a pattern by which the entire poem moves. Another benefit of having a rhythm is that it aids in the selection of words in a poem.

Initial sounds and final sounds are utilized to create similar sounds in poetry. Throughout the poetry, certain sounds may help to build overall order. This ensures that the poetry has a consistent flow of words.
Tone
Another essential aspect of poetry is tone. It’s crucial to know the manner that the speaker will express in any poetry you’re creating. This will be demonstrated by the speaker’s demeanor. The tone of a poem is sometimes referred to as the poem’s mood. Moods can be expressed in a variety of ways in different poetry.
Poems can have a variety of moods, including happy, gloomy, reflective, gloomy, romantic, humorous, and melancholy. The tone and theme of a poem can be used to set the mood of the poem.
Laughter, bright colors, and pleasant smells can be used to depict or portray cheerful and happy moods.
Make your character perform amusing things to create a comic vibe in any poetry scenario. This mood can be utilized to make fun of people or situations.
Melancholy is a depressed state of mind. It’s an emotional tone that makes the reader care about the poem’s character.
If you wish to convey a romantic vibe in your poem, start with a lovely and brilliant theme. Lunch on the beach or a sunset on the horizon are common examples.
The mood in your poetry engages the reader by giving them an emotional insight into what the character is feeling; it also helps them build an emotional link to the poem and understand it on a deeper level. It is difficult for readers to appreciate a poem on a deeper level if it lacks a mood.
Syntax
Word order is referred to as syntax, yet it is word order that creates specific sounds, images, and attitudes. The way a writer chooses words, arranges them in sentences and longer units of speech, and exploits their meaning is related to his or her style, which expresses more than a writer’s linguistic identity; in reality, syntax reflects the writer’s worldview.
Faulkner’s convoluted, intricate, verbose, and frequently formal style, for example, tells something about the way he sees the South in which he writes. Hemingway, on the other hand, communicates something about his typical obsession, World War I, and its terrible effect on relationships, through his sparse, fragmentary, often interrupted, and staccato style. “Form is content,” as they say. It’s just as essential how something is said as it is what is said.