Intonation Pattern X
(Low Pre-Head+) Rising Head + High Fall (+ Tail)
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Model : I wonder when Alice’s train is due.
Look it 'up in the `time - table.
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The syllables of the Rising Head preceding the High Fall gradually carry the pitch up. Stress-and-tone mark in the text:
The first stressed syllables: | |
This intonation pattern is used:
In statements, conveying personal concern, involvement, disgruntled protest.
e.g. Haven’t you brought the carp? You didn’t `ask me to.
In questions:
in special questions, sounding unpleasantly surprised or displeased, protesting.
e.g. Send them at once. Where `to?
b) in general questions, protesting, sometimes impatient.
e.g. Thursday’s a hopeless day for me. Can’t we 'make it a `Friday, then?
In imperatives, lively, with a note of critical surprise.
e.g. What shall I do? Try it `again.
In exclamations, conveying affronted surprise, protesting.
e.g. John is coming. What an extraordinary `thing.
Exercise
1. Read carefully the following conversational situations. Concentrate your attention on the intonation of the replies:
Verbal Context Drill
S t a t e m e n t s (conveying personal concern or
involvement, disgruntled protest)
What did you think of this house? I was rather taken with it. It seems quite nice
He says he knows nothing about it. I just can’t understand it. I distinctly remember telling him.
I’m afraid I failed my exam. I’m not at all surprised. You must try working a bit harder.
You ought to have informed me at once. I didn’t realize it was so important.
S p e c i a l q u e s t i o n s (sounding displeased,
unpleasantly surprised, protesting)
What’s that you say? Why don’t you listen?
You can easily mend it. What do you mean, easily?
Which one shall I have? Which would you prefer?
I shall write to him again. Whatever do you hope to gain by that?
G e n e r a l q u e s t i o n s (protesting, impatient)
I’m terribly hard up! Aren’t we all?
I’m quite booked up next week. Will the week after suit you better?
I can’t meet you this Tuesday. Shall we leave it till next week?
I m p e r a t i v e s (lively, with a note of
critical surprise)
What on earth shall I do? Try it again. You’ve no alternative.
What should I tell him? Tell him exactly what you think.
I’ve lost your invitation. Well write and ask them to send you another one
E x c l a m a t i o n s (conveying affronted
surprise, protesting)
I told him what I thought of him. Good for you!
She says she’s twenty-nine. Absolute nonsense!
Look. It works. So it does. How very odd!
You’re a bit grumpy today. Not in the least!
2. Practise the dialogue (“Guessing Game”). Write it down. Define the intonation pattern of each sentence and the attitude expressed by it.
A.: And the next object is vegetable.
B.: Does one eat it?
A.: Yes.
B.: Do you eat it?
A.: Yes.
B.: Do you eat it at breakfast?
A.: No.
B.: Do you eat it at dinner time?
A.: No.
B.: Well then at tea time.
A.: Yes.
B.: Is it a raw vegetable?
A.: Yes.
B.: Is it nice?
A.: Very nice.
B.: Did we have some for tea today?
A.: Yes.
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