The Godfather


“The Godfather” By Mario Puzo



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Mario Puzo-The Godfather eng

 “The Godfather” By Mario Puzo
 
11
shoulders bulged the jacket of his tux. He basked in the adoring eyes of his bride and 
filled her glass with wine. He was elaborately courteous to her as if they were both 
actors in a play. But his eyes kept flickering toward the huge silk purse the bride wore on 
her right shoulder and which was now stuffed full of money envelopes. How much did it 
hold? Ten thousand? Twenty thousand? Carlo Rizzi smiled. It was only the beginning. 
He had, after all, married into a royal family. They would have to take care of him. 
In the crowd of guests a dapper young man with the sleek head of a ferret was also 
studying the silk purse. From sheer habit Paulie Gatto wondered just how he could go 
about hijacking that fat pocketbook. The idea amused him. But he knew it was idle, 
innocent dreaming as small children dream of knocking out tanks with popguns. He 
watched his boss, fat, middle-aged Peter Clemenza whirling young girls around the 
wooden dance floor in a rustic and lusty Tarantella. Clemenza, immensely tall, 
immensely huge, danced with such skill and abandon, his hard belly lecherously 
bumping the breasts of younger, tinier women, that all the guests were applauding him. 
Older women grabbed his arm to become his next partner. The younger men 
respectfully cleared off the floor and clapped their hands in time to the mandolin’s wild 
strumming. When Clemenza finally collapsed in a chair, Paulie Gatto brought him a 
glass of icy black wine and wiped the perspiring Jovelike brow with his silk handkerchief. 
Clemenza was blowing like a whale as he gulped down the wine. But instead of 
thanking Paulie he said curtly, “Never mind being a dance judge, do your job. Take a 
walk around the neighborhood and see everything is OK.” Paulie slid away into the 
crowd. 
The band took a refreshment break. A young man named Nino Valenti picked up a 
discarded mandolin, put his left foot up on a chair and began to sing a coarse Sicilian 
love song. Nino Valenti’s face was handsome though bloated by continual drinking and 
he was already a little drunk. He rolled his eyes as his tongue caressed the obscene 
lyrics. The women shrieked with glee and the men shouted the last word of each stanza 
with the singer. 
Don Corleone, notoriously straitlaced in such matters, though his stout wife was 
screaming joyfully with the others, disappeared tactfully into the house. Seeing this, 
Sonny Corleone made his way to the bride’s table and sat down beside young Lucy 
Mancini, the maid of honor. They were safe. His wife was in the kitchen putting the last 
touches on the serving of the wedding cake. Sonny whispered a few words in the young 
girl’s ear and she rose. Sonny waited a few minutes and then casually followed her, 



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