this country to stay. Unfortunately, they will not know this until I speak. Then once I speak, the doors
will open.
REVIEW
Alex has taken a freeze-frame of a moment on a train in China, and harnessed it as an opportunity to
talk about her love of languages. It’s a clever approach that pays off big time. While it’s usually not a
wise course of action to name-drop Roman poets and compare
yourself to their epic heroes, Alex
somehow manages to do it without appearing conceited. Perhaps she’s successful because the
comparison is followed by a rant that firmly establishes credibility as a first-class language geek.
That’s not intended as an insult: Alex effectively conveys her passion to the reader who is left with the
impression that she reads the
Aeneid
the way other kids read Harry Potter. Her comparison isn’t a
pompous boast so much as a heartfelt identification with a beloved character.
Her first paragraph is the strongest. Alex not only quickly and effectively sets the scene, but also
manages to draw the reader in to her state of mind, effectively leading into what’s to come. The essay
also has great flow. While the refrain, “If only…”
smacks of high school angst, it keeps the reader
moving along and ties together all of the thoughts presented.
It would have been nice if the introductory scene had played a larger role in the essay. The line in
the penultimate paragraph about Velcro was a nice little connecting thread between the story she’s
telling and the point she’s making. Sprinkling similar details throughout the piece would have
polished up an already great essay.
The most effective part of this essay, though, would have to be the way Alex infused her voice into
it. Her inner monologue is charming and her enthusiasm contagious. She is really herself in this
essay.
—Zach T. Osborn