Chapter 5 The Man with a W oman’s Voice
The detective’s thoughts turned to the next interview. ‘The
American in compartment 16, I think.’
The American soon came in, wearing a brightly coloured
suit and a pink shirt. He had a wide, friendly face.
‘Good morning, gentlemen,’ he said. ‘What can I do for you?’
‘You have heard of this murder, Mr — er — Hardman?’
‘Yes.’
‘We are interviewing all the passengers. You are —’ Poirot
looked quickly at the passport in front of him. ‘— forty-one years
of age, and a salesman of office machines?’
‘Yes, that’s me.’
‘You are travelling for business reasons?’
‘That’s right.’
‘Can you tell us anything about the events of last night?’
‘Nothing at all. Sorry.’
‘Ah, that is a pity. Perhaps, Mr Hardman, you will tell us
exactly what you did after dinner last night?’
Hardman paused, then said, ‘Excuse me, but who are you
exactly?’
‘I am Hercule Poirot. I have been hired by the Compagnie
Internationale des Wagons Lits to solve this crime.’
‘I’ve heard of you,’ said Mr Hardman. He thought for a
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minute more, then said, ‘I suppose I should be honest.’
‘You should certainly tell us all that you know,’ said Poirot.
The American now spoke in a different voice - in fact, he
seemed a completely different person. ‘Well, as I said, I don’t
know anything. But I
should
know something.’
‘Please explain, Mr Hardman.’
‘Some of the information in my passport is false. This is who
I really am.’ He produced a card from his pocket.
Mr CYRUS B. HARDM AN
McNeil’s Private Detectives
New York
Poirot knew the name of the company. McNeil’s had an
excellent reputation.
‘I’d gone to Istanbul after a couple of criminals - no
connection with this business. I was planning my journey home
to New York when I got this.’ He pushed across a letter.
Dear Sir\
I understand that you are a private detective. Please come to my rooms
at four o’clock this afternoon.
It was written on notepaper from the Tokatlian Hotel in
Istanbul and was signed ‘S.E. Ratchett’.
‘I went to see Ratchett, and he showed me some threatening
letters that he had received. He hired me for protection on his
journey west. Well, my protection wasn’t very good, was it?’
‘How had you hoped to protect him?’
‘I had planned to travel in the next-door compartment, but it
was taken. Number 16 was in a good position, though. No one
could reach Mr Ratchett’s compartment without passing mine.’
‘You had no idea, I suppose, who the possible attacker was?’
‘Well, I knew what he looked like. Mr Ratchett described
him to me.’
‘What?’ His three listeners almost jumped out of their seats.
Hardman continued. ‘A small man, dark, with a high voice
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like a woman’s. That’s how Ratchett described him.’
‘Did you know that Ratchett was Cassetti, the Armstrong
murderer?’
Mr Hardman looked shocked. ‘No, I didn’t recognise him. I’d
seen photos of Cassetti in the papers, I suppose, but I wouldn’t
recognise my own mother in one of those photos.’
‘Please, M. Hardman, continue your story.’
‘There’s not much to tell. I slept in the day and stayed awake
watching the corridor at night. Nothing happened the first night
and I thought the same was true last night. No stranger passed.’
‘You are sure of that, M. Hardman?’
‘Yes, I am. I’m certain.’
‘Then I think we have finished. Thank you.’ Poirot offered
the American a cigarette. ‘But perhaps you prefer a pipe?’
‘Not me. It was nice to meet you, Mr Poirot.’ He took a
cigarette and walked away.
The three men looked at each other.
‘A small man, dark, with a high voice like a woman’s,’ said
M. Bouc thoughtfully.
‘A description which fits no one on the train,’ said Poirot. He
paused, then said with a smile, ‘And now we will make M. Bouc
happy. We will see the Italian.’
A man with dark skin and a pleasant, cheerful face was soon
walking across the restaurant carriage towards them.
‘Your name is Antonio Foscarelli, from Italy?’
‘Yes, Monsieur, but I have become an American citizen. It is
better for my business.’ He smiled.
‘You sell Ford motor cars?’
‘Yes, you see —’
A long explanation of Foscarelli’s business methods followed,
before Poirot could continue his questions. ‘So you have lived
in the United States for the last ten years?’
‘Yes, Monsieur. I remember the day that I left. My mother —’
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Poirot interrupted him. ‘Did you ever meet Mr Ratchett
in America?’
‘No, but I met many people like him. On the outside, very
polite, very well-dressed, but underneath - evil. In my opinion,
Ratchett was a criminal.’
‘Your opinion is correct,’ said Poirot. ‘Ratchett was Cassetti,
the kidnapper.’
‘What did I tell you? I am good at reading people’s faces. It is
important in my work.’
‘You remember the Armstrong case?’
‘Not very well. It was a little girl, wasn’t it? A terrible crime,
but these things happen, even in a great country like America.’
‘Did you ever meet any members of the Armstrong family?’
‘I don’t think so, but it is difficult to say. Last year alone I sold
cars to —’
Poirot interrupted him again. ‘Monsieur, please tell me what
you did last night after dinner.’
‘With pleasure. I went back to my compartment. An English
servant shares the compartment with me but he was out. Then
he came back, but he wasn’t interested in talking. “Yes”, “No”
- nothing else. He was very unfriendly. He read his book and I
read mine. I smoked a cigarette or two. He had toothache, and
he was making a lot of noise about it. I went to sleep, but I woke
up a few times to the sound of his complaining.’
‘Did he leave the compartment at all during the night?’
‘I don’t think so. When the door opens, the light from the
corridor comes in very brightly and wakes you up.’
With words of thanks, Poirot brought the interview to an end.
‘Well, he has been in America for a long time,’ said M. Bouc
when Foscarelli had left the carriage. ‘He is Italian — Italians are
good at lying and love using knives. I don’t like Italians.’
‘That is very clear,’ smiled Poirot. ‘But there is no evidence
against this man. Italians use knives, yes, but in a fight, when
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they are angry. This murder was very carefully planned.’
He picked up the last two passports. ‘Let us see Miss Mary
Debenham next.’
Miss Debenham entered the restaurant carriage calmly,
dressed in a little black suit. She sat down opposite Poirot.
‘Your name is Mary Hermione Debenham, you are English,
and you are twenty-six years old?’ began Poirot.
‘Yes.’
‘Now, Miss Debenham, what can you tell us about last night’s
events?’
‘Nothing, I’m afraid. I went to bed and slept.’
Poirot looked at her thoughtfully. ‘You are travelling from
Baghdad to London, I believe.’
‘Yes.’
‘What have you been doing in Baghdad?’
‘I have been working as governess to two children.’
‘Have you ever been to America?’
‘America? No, never.’
‘What is your opinion of the lady who shares your compartment
— Miss Ohlsson?’
‘She seems a pleasant, simple person.’
‘What colour is her dressing gown?’
Mary Debenham looked surprised. ‘A brown colour.’
‘And I noticed your dressing gown on the train to Istanbul.
It is purple, I believe.’
‘Yes, that is right.’
‘Have you got any other dressing gown, Miss Debenham? A
red one, for example?’
‘No, that is not mine.’
The detective moved forward quickly, like a cat jumping on
a mouse.
‘Not yours? So you know that the red dressing gown belongs
to someone else! Whose is it?’
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The girl moved back, a little shocked. ‘I don’t know,’ she
replied. ‘I saw someone wearing it last night in the corridor, but
I didn’t see her face.’
‘Was she tall or short? Fair or dark?’
She had a hat on, so I couldn’t see her hair. But she was tall
and thin. It was a Chinese-style dressing gown.’
‘Yes, that’s right, Chinese.’ The detective was silent for a
minute. Then he said to himself, ‘I cannot understand. None of
this makes sense.’ Looking up, he said to Miss Debenham, ‘We
do not need you any more. You can go.’
When she had left, M. Bouc stared at his friend with a
confused look on his face. ‘You think she is guilty, don’t you?’
he said slowly. ‘But why? She seems a very pleasant young lady
— the last person in the world to be a murderer.’
‘I agree,’ said Constantine. ‘She is a very calm person. She
would not murder her enemy. She would take him to court.’
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