this.
There was a murder on the train last
night, and the murderer was
in my compartmentV
‘You are sure of this, Madame?’
‘O f course I’m sure! I was asleep, and suddenly I woke up. It
was dark - and I knew that there was a man in my compartment.
I was so frightened that I couldn’t scream. I thought, “I’m going
to be killed!” It was so terrible - these nasty trains, and the
horrible things that happen on them! And then I thought,
“Well, he won’t get my jewellery,” because I’d hidden it under
my pillow. Very uncomfortable, I can tell you. But that’s not
important. Where was I?’
‘You realised that there was a man in your compartment.’
‘Yes, well, I just lay there with my eyes closed for some time.
Then I felt for the bell with my hand and pressed it to call
the conductor. I rang and rang, but nothing happened. “Maybe
they’ve already murdered everyone else on the train,” I thought.
Then finally the conductor came in. I switched on the lights,
but
*
Madame: French for Mrs or madam
25
there wasn’t anyone there at all’
Judging by Mrs Hubbard’s voice, she thought that her last
words were the most exciting part of her story.
‘And what happened next, Madame?’
‘Well, I told the conductor what had happened, and he didn’t
seem to believe me. Clearly the man had got away, but the
conductor only wanted to calm me down! Well, at the time
I was worried that the man was the one from the next-door
t
compartment. I asked the conductor to look at the door between
the compartments, and of course it wasn’t bolted. Well, I bolted
it immediatelyrancLput a suitcase against it too.’
‘And do you think the man in your compartment went into
Mr Ratchett’s compartment\or out into the corridor?’
‘How could I know that? My eyes were tight shut. Oh, if my
daughter knew how frightened
I
was!’
‘Perhaps, Madame, you heard someone not in your own
compartment but in the compartment of the murdered man.’
‘Certainly not! And I can prcwe it!’
From her handbag, she produced a small metal button.
‘You see this? I found it this morning in my compartment.’
Ayshe placed the button on the table, M. Bouc cried, ‘This is
a button from a conductor’s uniform!’
‘It probably fell off Michel’s uniform when he was helping
Madame Hubbard last night,’ said Poirot.
‘Why don’t you people believe me?’ cried the American
woman. ‘At bedtime last night I was reading a magazine. When
I switched off the light, I put the magazine on the floor near the
window. Last night, after the man had been in my room, the
conductor went nowhere near the window, but in the morning
the button was on top of the magazine. What do you call that?’
‘I call that evidence, Madame,’ replied the detective seriously.
‘Now, can I ask you a few questions?’
‘O f course,’ said Mrs Hubbard.
26
‘You were nervous of this man Ratchett. So why had you not
already bolted the door between the compartments?’
‘I had. Or at least, I had asked that Swedish lady if it was
bolted, and she had said that it was.’
‘Why couldn’t you see for yourself?’
‘I was in bed and my sponge bag was hanging on the door
handle.’
‘When was this?’
‘About half past ten, I think. The Swedish lady had come to
ask me for an aspirin.’
‘Do you remember the case of the Armstrong kidnap?’
‘O f course I do. I didn’t know the Armstrongs personally.
They moved in higher society than I. But I’ve always heard that
they were a lovely couple. Oh, that evil man Cassetti - ’
‘Ratchett was Cassetti,’ said Poirot.
‘Cassetti, on this train! I can’t believe it! I must tell my
daughter.’
‘Now, Madame, just one more thing. Do you have a red
dressing gown?’
‘What an odd question! No, I don’t.’
Poirot helped her towards the door. At the last moment he
said, ‘You have dropped your handkerchief, Madame.’
She looked at the little piece of material that he was holding
out to her. ‘That isn’t mine. It’s much too small — mine are a
sensible size.’
‘Ah!’ said the detective. ‘It had an H on it. I thought it must
be yours.’
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