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© 2022 IJCRT | Volume 10, Issue 5 May 2022 | ISSN: 2320-2882
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International Journal of Creative Research Thoughts (IJCRT)
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their
limits of expressiveness, and explored the linking of instrumentation and the human
voice. The middle phase of musical Romanticism is represented by such figures as Antonín
Dvořák,
Edvard Grieg, and Pyotr Ilyich Tchaikovsky. Romantic efforts to express a
particular nation’s uniqueness through music were manifested
in the works of the Czechs
Antonín Dvořák and Bedřich Smetana and various others like Russian, French, and
Scandinavian composers.
Romantic opera in Italy was developed by the
symphonist Gaetano Donizetti, Vincenzo
Bellini, and Gioachino Rossini, whereas Romantic opera in Germany began with the works
of Carl Maria von Weber. The Italian Romantic opera was
brought which reached its
pinnacle of success by Giuseppe Verdi. The Romantic opera in Germany reached its height
in the works of Richard Wagner, who combined and integrated
such diverse strands of
Romanticism as an ardent nationalism;
the cult of the hero; exotic sets and costumes;
expressive music; and the display of virtuosity in orchestral and vocal settings.
The final
phase of musical Romanticism is represented by late 19th century and early 20th century
composers such as Gustav Mahler, Edward Elgar, Richard Strauss and Jean Sibelius.
5
.
REFERENCES
:
1. Parker, James. “A Book That Examines the Writing Processes of Two Poetry Giants.” The
Atlantic, Atlantic
Media Company, 23 July 2019,
2.
https://www.theatlantic.com/entertainment/archive/2019/07/how-two-literary-giants-
wrote-their-best-poetry/594514/.
3. Alhathani, Safa. “EN571: Literature & Technology.” EN571
Literature Technology, 13
May 2018.
4.
https://commons.marymount.edu/571sp17/2018/05/13/analysis-of-romanticism-in-
frankenstein-through-digital-tools/
.
5. Jerome, J McGann. “The Romantic Ideology”.
6. Robert Jauss. “Toward an Aesthetic of Reception”.