Science and Education in Karakalpakstan issn 2181-9203 Science Magazine chief editor

rubai
and 
tuyuq
, it is 
enough for the poem to be four lines to be included in the quatrain genre. “Doesn’t do it” [4; 337]. 
For instance: 
Oftobning alami kuymagan jonda, 
Bulbulning alami suymagan jonda. 
Shabnamni sahroga sochmagin, Mahmud, 
Iymon nima qilsin to‘ymagan jonda.[6;288]. 
In this quatrain, it is explained in the antithesis method that a person has a wide heart, treats 
others well, works honestly, and also tries to be a believer for the sake of the world, because the 
poet expressed these thoughts not directly in the correct sense, but in a contrasting way with 
opposite words. That is, a person's resilience to problems and difficulties is expressed as “The sun is 
in a soul that does not burn”, and a person’s good relationship with those around him is expressed 
as “The nightingale’s soul does not fade”. That he does meritorious deeds, and that he cannot do 
meritorious deeds if he is not satisfied, is reflected through the metaphor of “
unsatiated soul
”. 
Also, the poet mentions his name in the third stanza of the poem, “Don’t scatter my dew on 
the desert”, a lyrical hero who wants to have more hardworking people. He describes concepts and 
ideas such as the futility of what we say, the impossibility of supplying water to the vast desert, 
using the metaphor of a drop of wet water. 
In this place, we can witness the preservation of the literary traditions passed down from the 
classical Eastern poetry in the four poets. “...the use of the author's pseudonym at the end of lyric 
works is a stable tradition for classical poetic forms. Although some contemporary poets are 
inspired by the work of classical poets such as Mahtumquli, they do not use their pseudonyms at the 
end of their poems. Such a literary phenomenon is not visible in world literature. Therefore, at this 
point, at the end of the poem, it is permissible to admit that there is a case of using a nickname or 
one's own name in the above poem. the use of his own name and nickname in poems written in a 
finger weight not related to classical traditions can be found in the work of the national poet of 
Uzbekistan Mahmud Toir” [7]. 

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