Science and Education in Karakalpakstan issn 2181-9203 Science Magazine chief editor

Science and Education in Karakalpakstan. 2023 №2/1 ISSN 2181-9203 
221 
SOME ISSUES OF STUDYING THE PROBLEM OF STYLE IN POETRY 
 
Bawetdinov M.K. 
Karakalpak state University named after Berdakh 
 
Summary:
 This article deals with the problem of style in literary. Opinions are given about 
the nature of the style and its reflection in the lyrics. Based on this, conclusions are given on which 
side to study style in poetry. 
Keywords:
 poetry, literature, style, poet, individuality, comparison. 
 
In fiction, the style of the creator is of great importance. The reason is that the writer or poet 
has his own style, which ensures the artistic and aesthetic effect of the works. This, in turn, expands 
the scope of genre, form, thematic, ideological updates. In fact, the term style is used in various 
fields of science (literary studies, linguistics, art, cultural studies, aesthetics, etc.). The concept of 
style was first justified from an aesthetic point of view in the XVIII century in I. Winkelman's work 
"History of the Art of Antiquity". Later, at the border of the 19th and 20th centuries, this concept 
began to become one of the main issues in literary studies and cultural studies. Even now, in literary 
studies, no clear scientific solution has been reached on the issue of artistic style. Because there are 
many "difficulties of this doctrine and subtle aspects of theories related to it" [6]. 
There are many versions of the term "style" in literary studies. The issue of determining the 
subject of style is still one of the controversial issues. While answering the question of where style 
is seen in fiction, some literary scholars believe that only form is artistic, and style is one of its main 
categories. Another group of literary critics considers style not only a category of form, but also of 
content. 
Also, the terms "simple style", "complex style", "national style", "modern style" are also 
used. In our opinion, these terms have a general quality, on the basis of which the study of style is 
superficial. At the same time, it is not justified to use the term style in addition to various processes 
in literature (genre style, literary type style, form style). As a result of this, misunderstandings and 
confusions arise in theories. Therefore, when studying the issue of style, it is better to pay attention 
as much as possible to the individuality of the creator, the unity of content and form in his works, 
and his poetics in general. 
In literary studies, there are two conflicting views on the theory of style, the "static" and the 
"dynamic" view. "From a static point of view, style theory is formed through language, 
metaphorical methods and other artistic tools, while from a dynamic point of view, style theory 
includes aspects such as originality, artistry, literary direction, worldview, artistic method, aesthetic 
ideal. Since the static approach does not justify itself, many experts turn to the dynamic approach 
[2]. In fact, style is often associated with the unique writing style of an individual artist. Because 
every work of art introduces the creative individuality of the poet or writer who wrote it to the 
reader. It can be understood from the features of the language, the theme and the idea, and the way 
of creating an image. 
The study of the style of poets in lyric poetry has a number of peculiarities. If these 
differences are mainly visible from the form side, they are combined with the content from the 
general side. For example, in an epic, the writer's style depends on such factors as the choice of 
plot, characters, narrative typology, and the language of the work, while in dramaturgy, the style is 
evident through the skills of the playwright to create a systematic dialogue, develop the drama 
according to the possibilities or requirements of the stage, and influence the action through words. 
Unlike the two literary types mentioned above, in lyric poetry, it is necessary to understand that the 
features of the poet's creation of a lyrical character, thereby affecting the idea, composition, rhyme, 

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