times he rubbed the wound with his fingers. The bleeding stopped.
He stretched out his hand for Arthur to look at.
'That surely is what a surgeon would call healing by first intention,'
he said.
Burdon was astonished, but he was irritated, too, and would not
allow that there was anything strange in the cessation of the flowing
blood.
'You haven't yet shown that the snake was poisonous.'
'I have
not finished yet,' smiled Haddo.
He spoke again to the Egyptian, who gave an order to his wife.
Without a word she rose to her feet and from a box took a white
rabbit. She lifted it up by the ears, and it struggled with its four
quaint legs. Haddo put it in front of the horned viper. Before anyone
could
have moved, the snake darted forward, and like a flash of
lightning struck the rabbit. The wretched little beast gave a slight
scream, a shudder went through it, and it fell dead.
Margaret sprang up with a cry.
'Oh, how cruel! How hatefully cruel!'
'Are you convinced now?' asked Haddo coolly.
The two women hurried to the doorway. They were frightened and
disgusted.
Oliver Haddo was left alone with the snake-charmer.
5
Dr Porhoët had asked Arthur to bring Margaret and Miss Boyd to
see him on Sunday at his apartment in the Île Saint Louis; and the
lovers arranged to spend an hour on their way at the Louvre. Susie,
invited to accompany them, preferred
independence and her own
reflections.
To avoid the crowd which throngs the picture galleries on holidays,
they went to that part of the museum where ancient sculpture is
kept. It was comparatively empty, and the long halls had the
singular restfulness of places where works of art are gathered
together. Margaret was
filled with a genuine emotion; and though
she could not analyse it, as Susie, who loved to dissect her state of
mind, would have done, it strangely exhilarated her. Her heart was
uplifted from the sordidness of earth, and she had a sensation of
freedom which was as delightful as it was indescribable. Arthur had
never troubled himself with art till Margaret's enthusiasm taught
him that there was a side of life he did not realize. Though beauty
meant
little to his practical nature, he sought, in his great love for
Margaret, to appreciate the works which excited her to such
charming ecstasy. He walked by her side with docility and listened,
not without deference, to her outbursts. He admired the correctness
of Greek anatomy, and there was one
statue of an athlete which
attracted his prolonged attention, because the muscles were
indicated with the precision of a plate in a surgical textbook. When
Margaret talked of the Greeks' divine repose and of their blitheness,
he thought it very clever because she said it; but in a man it would
have aroused his impatience.
Yet there was one piece, the charming statue known as
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