aperitif
has glazed your sparkling eye.'
'Do you mean to say I'm drunk, sir?'
'In one gross, but expressive, word, drunk.'
The painter grotesquely flung himself back in his chair as though he
had been struck a blow, and Haddo looked steadily at Clayson.
'How often have I explained to you, O Clayson, that your deplorable
lack of education precludes you from the brilliancy to which you
aspire?'
For an instant Oliver Haddo resumed his effective pose; and Susie,
smiling, looked at him. He was a man of great size, two or three
inches more than six feet high; but the most noticeable thing about
him was a vast obesity. His paunch was of imposing dimensions.
His face was large and fleshy. He had thrown himself into the
arrogant attitude of Velasquez's portrait of Del Borro in the Museum
of Berlin; and his countenance bore of set purpose the same
contemptuous smile. He advanced and shook hands with Dr
Porhoët.
'Hail, brother wizard! I greet in you, if not a master, at least a
student not unworthy my esteem.'
Susie was convulsed with laughter at his pompousness, and he
turned to her with the utmost gravity.
'Madam, your laughter is more soft in mine ears than the singing of
Bulbul in a Persian garden.'
Dr Porhoët interposed with introductions. The magician bowed
solemnly as he was in turn made known to Susie Boyd, and
Margaret, and Arthur Burdon. He held out his hand to the grim
Irish painter.
'Well, my O'Brien, have you been mixing as usual the waters of
bitterness with the thin claret of Bordeaux?'
'Why don't you sit down and eat your dinner?' returned the other,
gruffly.
'Ah, my dear fellow, I wish I could drive the fact into this head of
yours that rudeness is not synonymous with wit. I shall not have
lived in vain if I teach you in time to realize that the rapier of irony
is more effective an instrument than the bludgeon of insolence.'
O'Brien reddened with anger, but could not at once find a retort,
and
Haddo passed on to that faded, harmless youth who sat next to
Margaret.
'Do my eyes deceive me, or is this the Jagson whose name in its
inanity is so appropriate to the bearer? I am eager to know if you
still devote upon the ungrateful arts talents which were more
profitably employed upon haberdashery.'
The unlucky creature, thus brutally attacked, blushed feebly without
answering, and Haddo went on to the Frenchman, Meyer as more
worthy of his mocking.
'I'm afraid my entrance interrupted you in a discourse. Was it the
celebrated harangue on the greatness of Michelangelo, or was it the
searching analysis of the art of Wagner?'
'We were just going,' said Meyer, getting up with a frown.
'I am desolated to lose the pearls of wisdom that habitually fall from
your cultivated lips,' returned Haddo, as he politely withdrew
Madame Meyer's chair.
He sat down with a smile.
'I saw the place was crowded, and with Napoleonic instinct decided
that I could only make room by insulting somebody. It is cause for
congratulation that my gibes, which Raggles, a foolish youth,
mistakes for wit, have caused the disappearance of a person who
lives in open sin; thereby vacating two seats, and allowing me to eat
a humble meal with ample room for my elbows.'
Marie brought him the bill of fare, and he looked at it gravely.
'I will have a vanilla ice, O well-beloved, and a wing of a tender
chicken, a fried sole, and some excellent pea-soup.'
'
Bien, un potage, une sole,
one chicken, and an ice.'
'But why should you serve them in that order rather than in the
order I gave you?'
Marie and the two Frenchwomen who were still in the room broke
into exclamations at this extravagance, but Oliver Haddo waved his
fat hand.
'I shall start with the ice, O Marie, to cool the passion with which
your eyes inflame me, and then without hesitation I will devour the
wing of a chicken in order to sustain myself against your smile. I
shall then proceed to a fresh sole, and with the pea-soup I will finish
a not unsustaining meal.'
Having succeeded in capturing the attention of everyone in the
room, Oliver Haddo proceeded to eat these dishes in the order he
had named. Margaret and Burdon watched him with scornful eyes,
but Susie, who was not revolted by the vanity which sought to
attract notice, looked at him curiously. He was clearly not old,
though his corpulence added to his apparent age. His features were
good, his ears small, and his nose delicately shaped. He had big
teeth, but they were white and even. His mouth was large, with
heavy moist lips. He had the neck of a bullock. His dark, curling
hair had retreated from the forehead and temples in such a way as
to give his clean-shaven face a disconcerting nudity. The baldness of
his crown was vaguely like a tonsure. He had the look of a very
wicked, sensual priest. Margaret, stealing a glance at him as he ate,
on a sudden violently shuddered; he affected her with an
uncontrollable dislike. He lifted his eyes slowly, and she looked
away, blushing as though she had been taken in some indiscretion.
These eyes were the most curious thing about him. They were not
large, but an exceedingly pale blue, and they looked at you in a way
that was singularly embarrassing. At first Susie could not discover
in what precisely their peculiarity lay, but in a moment she found
out: the eyes of most persons converge when they look at you, but
Oliver Haddo's, naturally or by a habit he had acquired for effect,
remained parallel. It gave the impression that he looked straight
through you and saw the wall beyond. It was uncanny. But another
strange thing about him was the impossibility of telling whether he
was serious. There was a mockery in that queer glance, a sardonic
smile upon the mouth, which made you hesitate how to take his
outrageous utterances. It was irritating to be uncertain whether,
while you were laughing at him, he was not really enjoying an
elaborate joke at your expense.
His presence cast an unusual chill upon the party. The French
members got up and left. Warren reeled out with O'Brien, whose
uncouth sarcasms were no match for Haddo's bitter gibes. Raggles
put on his coat with the scarlet lining and went out with the tall
Jagson, who smarted still under Haddo's insolence. The American
sculptor paid his bill silently. When he was at the door, Haddo
stopped him.
'You have modelled lions at the Jardin des Plantes, my dear
Clayson. Have you ever hunted them on their native plains?'
'No, I haven't.'
Clayson did not know why Haddo asked the question, but he
bristled with incipient wrath.
'Then you have not seen the jackal, gnawing at a dead antelope,
scamper away in terror when the King of Beasts stalked down to
make his meal.'
Clayson slammed the door behind him. Haddo was left with
Margaret,
and
Arthur Burdon, Dr Porhoët, and Susie. He smiled quietly.
'By the way, are
you
a lion-hunter?' asked Susie flippantly.
He turned on her his straight uncanny glance.
'I have no equal with big game. I have shot more lions than any man
alive. I think Jules Gérard, whom the French of the nineteenth
century called
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