Practical Application of Multimedia Technology and Score Editing Because it is in the interest of the resulting effect sometimes to use formally
shortened versions of the musical pieces, sometimes in the wrong drawing, the atmo-
sphere or situation only some fragments or passages re-arranged works for other less
demanding listeners instrumental cast (Mussorgsky – The great Gate of Kiev), valued
help in making arrangements and instrumental arrangement is the notation software,
Sibelius 6 (Sibelius Software), which makes the work with music materials much
easier, the creation and editing within the meaning of such a simple and quick work
to cut the instrumental parts, including transpositions into their specifi c tuning and
fi nally (due to the fact that this completely eliminates hand writing musical notation),
as well as its readability.
Sound effects – as an illustration of the atmosphere, direct speech – directly lin-
ked to the plot.
Capturing and recording of the sound is done the easiest way, with condenser
or dynamic microphones, either on a portable recording device (minidisc, DAT), or
through the sound card directly to the computer hard drive. Although both modes of
operation of the digital (ie lossless) by recording the second method, which elimi-
nates the laborious transfer and possible conversion to a computer record, it appears
from the terms of any subsequent editing and editing recordings as a simpler and less
time-consuming. It also works well here because the instant visual feedback, more
favorable to the selection of recorded material and usable footage. Permits, where
software and hardware is always better and less time-consuming capture audio recor-
ding straight to your computer.
The most effective “helper” in this phase of work with audio recording with time
proven multitrack applications such Cubaseor Nuendo (Steinberg, Germany), or
programs designed for Apple Macintosh systems, such as ProTools. Linked with
