Theme: assessing spoken production plan: I. Introduction II. Main part


Instruction is planned using backward design



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ASSESSING SPOKEN PRODUCTION

Instruction is planned using backward design


Just as in so many other subject areas, language teachers have traditionally followed the lead of their textbooks to plan instruction: They follow the book’s path through a series of exercises, then create and deliver some sort of assessment (or use one provided by the textbook company) when the exercises are done.
Although this approach allows teachers to cover a lot of content, the priority is exactly that: coverage, rather than real transfer of knowledge. This is another likely explanation for why so many students leave language classes without knowing how to speak the language.
“For so many years I felt that I was a necessary prisoner of my textbook, and that was my curriculum. The textbooks I have seen for world language cover a ridiculous amount of vocabulary and grammar, and maybe that sells more books because you get so much for your buck, but it’s totally unrealistic in terms of what kids are going to retain.”
When language teachers shift to planning with backward design—where they start by developing an assessment for a clear, measurable outcome, then plan lessons to enable students to succeed on that assessment—they keep the focus on goals for real communication.
“It’s so important that we start with the end in mind,” Blouwolff says. “What do we want our students to be able to do at the end of a unit? What do we hope our students will be able to write at the end of this unit? What do we hope they will be able to talk about? What would that sound like with their language level?”
Blouwolff heightens the impact of this kind of planning by sharing these goals with students at the beginning of each unit. For example, “At the end of this unit,” she’ll tell them, “I’m going to ask you, tell me about your town and then compare it to Quebec City. So there’s no stress at the end. Everyone knows. But there’s also some motivation. Like, how close am I getting to be able to do that? Why is she talking about this? Oh right, because at the end of the unit, we have to be able to XYZ.”
Keeping the end goal transparent not only boosts motivation for students. “It’s super exciting for the teachers,” Blouwolff says, “because they’re like, OK, let’s see how we can get there, what’s going to happen, you know? There is that discovery moment at the end that’s very different than correcting your publisher written unit exam.”

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