Thomas Palmer — the husband of Charlotte Palmer who is running for a seat in Parliament, but is idle and often rude. Lucy Steele — a young, distant relation of Mrs Jennings, who has for some time been secretly engaged to Edward Ferrars. She assiduously cultivates the friendship with Elinor Dashwood and Mrs John Dashwood. Limited in formal education and financial means, she is nonetheless attractive, clever, manipulative, cunning and scheming. Anne/Nancy Steele — Lucy Steele's elder, socially inept, and less clever sister. Miss Sophia Grey — a wealthy but malicious heiress whom Mr Willoughby marries in order to retain his comfortable lifestyle after he is disinherited by his aunt. Lord Morton — the father of Miss Morton. Miss Morton — a wealthy woman whom Mrs Ferrars wants her eldest son, Edward, and later Robert, to marry. Mr Pratt — an uncle of Lucy Steele and Edward's tutor. Eliza Williams — the ward of Col. Brandon, she is about 15 years old and bore an illegitimate son to John Willoughby. She is the daughter of Elizabeth Williams. Elizabeth Williams — the former love interest of Colonel Brandon. Williams is Brandon's father's ward, and is forced to marry Brandon's older brother. The marriage is an unhappy one, and it is revealed that her daughter is left as Colonel Brandon's ward when he finds his lost love dying in a poorhouse. Mrs Smith — the wealthy aunt of Mr Willoughby who disowns him for not marrying Eliza Williams. [edit] Critical appraisal
Austen wrote the first draft of Elinor and Marianne (later retitled Sense and Sensibility) in epistolary form sometime around 1795 when she was about 19 years old. While she had written a great deal of short fiction in her teens, Elinor and Marianne was her first full-length novel. The plot revolves around a contrast between Elinor's sense and Marianne's emotionalism; the two sisters may have been loosely based on the author and her beloved elder sister, Cassandra, with Austen casting Cassandra as the restrained and well-judging sister and herself as the emotional one.
Austen clearly intended to vindicate Elinor's sense and self-restraint, and on the simplest level, the novel may be read as a parody of the full-blown romanticism and sensibility that was fashionable around the 1790s. Yet Austen's treatment of the two sisters is complex and multi-faceted. Austen biographer Claire Tomalin argues that Sense and Sensibility has a "wobble in its approach", which developed because Austen, in the course of writing the novel, gradually became less certain about whether sense or sensibility should triumph.[2] She endows Marianne with every attractive quality: intelligence, musical talent, frankness, and the capacity to love deeply. She also acknowledges that Willoughby, with all his faults, continues to love and, in some measure, appreciate Marianne. For these reasons, some readers find Marianne's ultimate marriage to Colonel Brandon an unsatisfactory ending.[3] The ending does, however, neatly join the themes of sense and sensibility by having the sensible sister marry her true love after long, romantic obstacles to their union, while the emotional sister finds happiness with a man whom she did not initially love, but who was an eminently sensible and satisfying choice of a husband.
The novel displays Austen's subtle irony at its best, with many outstanding comic passages about the Middletons, the Palmers, Mrs Jennings, and Lucy Steele.
