15.
Overtake, outstrip.
The slipstream allows a racecar to “win the race by
taking advantage of reduced wind resistance.” In other words, the trailing car
would be able to go faster than the car in front of it, and therefore pass it.
“Supersede” may look the part, but it’s actually a figurative word meaning
replace (e.g., I was superseded by younger workers at my job). Only
“outstrip” and “overtake” carry the literal meaning of physically passing
something. When X “assumes” Y, X accepts or seizes Y (e.g., a leader
assumes power). It’s strange to think of a racecar assuming another racecar.
Winning the race may lead people to call the winner the “champion,” but one
car does not “champion” another. Similarly, “collide” might make you think
of the car crashes that sometimes occur during car races, but a car cannot
“collide another.” Rather, a car would collide
with
another.
16.
Foibles, peccadilloes.
“Paean” is praise, as are “plaudits and tributes.”
The celebration was “pure” praise. “While” indicates that the rest of the
sentence should go in the opposite direction. Acknowledging flaws and
mistakes—that is, “foibles” and “peccadilloes”—could indeed “help to
humanize” an artist. “Faculties” (inherent mental or physical powers) and
“aptitudes” (natural ability) are similar, but are too positive. The remaining
choices are unpaired and also off topic: “poultices” are soft, moist masses of
material applied to the body to heal or relieve pain and “mores” are customs
or traditions.
17.
(B).
While it is true that Pink Floyd’s dramatic staging served to promote
its album, this is not a “reason for the inclusion of operatic elements into the
rock music genre in the 1970s.” It is an example, not a cause. Choice (A) is
incorrect because the passage states that PA systems (a type of concert
equipment) changed. Choice (C) is incorrect because the passage states that
concept albums contained “narrative” themes. Choice (D) is incorrect because
the passage states that rock songs were less appropriate for radio play. Choice
(E) is incorrect because the passage states that the larger concerts
“encouraged artists to craft concerts that diverged from the merely musical
toward the experiential.”
18.
(E).
The passage discusses several phenomena occurring in the 1970s that
were in part responsible for “a significant shift in emphasis away from
recording and toward music performance itself.” These factors thus “brought
about,” or “effected,” this change. Don’t get confused by “influenced,” one
synonym of which is “affected.”
19.
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