Zulfiya Boris gizi Guliyeva
The style peculiarities of the name of the person and place in
Jalil Mammadguluzadeh’s literary works
SUMMARY
The literary literature plays an important role to make known the
onomastic system of every language. The great part of the success of the
great master of satire Jalil Mammadguluzade in the poetical language is
consists of using the onomastic units, specially anthroponym and topony-
mies. The dissertation devoted to this theme, consists of an introduction,
two chapters, conclusion ad list of used literature.
In the “Introduction” the actuality of the theme, the object of the stu-
dy, purposes and missions, scientific-theoretical and practical significance,
scientific novelty methods, the propositions of dissertation, structure and
the approbation of the work are presented.
The first chapter of this dissertation called “The style peculiarities of
the names of the person in Jalil Mammadguluzadeh’s literary works”. De-
pending on the idea-aesthetic missions and aim of the writer the personal
names in the literary literature may be used in the different situation. The
real and ironical opportunities among them especially are chosen. The real
personal names in principal are the names of woman and man used in the
society which the author regards with seriously and respectably.
Comic element with ironical in anthroponym may be have possess
both phonetic and semantic bases.
The second chapter of the dissertation “The style peculiarities of the
names of place in Jalil Mammadguluzadeh’s literary literature”. The style
peculiarities of toponymies in Mirza Jalil’s works shown in two forms: real,
toponymies which express reality, invented, toponymies which are the pro-
duce of the writer’s imaginations. Though the real toponymies which Jalil
Mammadguluzadeh used in his literary works, in the main connected with
the geographical territory, where the author lived and worked, there also
exist many toponymies which express geographical objects belong to the
near and distant abroad. But the invented toponymies in the writer’s literary
works fulfill the different stylistic function. In the dramaturgy of Mirza
Jalil
more
different
stylistic peculiarities of the toponymies are
used.
In the “Conclusion” of the dissertation the main results of the
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given research have been generalized.
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