Buxoro davlat universiteti

2. Asarda xalq og`zaki ijodiga yondashuv

“Xalq donoligi”, “xalq ijodiyoti” ma’nolarini anglatuvchi “folklor” so`zi ilk bor 1846-yilda ishlatilgan bo`lsa-da, uning ildizlari uzoq o`tmishga borib taqaladi. Folklorning alohida sohasi bilan shug`ullanuvchi mutaxassislar ko‘pincha folklor deganda o`zi o`rganuvchi sohani nazarda tutadi. Jumladan, tasviriy san’atni o`rganadigan olim folklor deganda, naqsh san’atini nazarda tutadi. Xoreograf esa xalq raqsini, musiqashunos xalq kuylarini, folklorshunos hamda adabiyotshunoslar esa xalq og`zaki ijodini nazarda tutib ish olib borishadi. ¹

Xalq og`zaki badiiy ijodi har bir xalqning asrlar davomida ijodkor farzandlari tomonidan yaratilgan madaniy merosidir. Bu meros maqollar, matallar, latifalar, qo`shiqlar, ertaklar, dostonlar va boshqa janrlardan iborat hisoblanadi. Xalq og`zaki ijodi o`zining rang-barangligi, yuksak g`oyalar bilan yo`g`rilganligi, xalq turmushi, mehnati, xullas, xalq hayotining barcha tomonlari bilan uzviy bog`liqligi bilan ham g`oyatda e’tiborlidir.

Aytish joizki, xalq og`zaki ijodi yoki, boshqacha qilib aytganda, folklor butun dunyo yozuvchilari tez-tez murojaat qilib turadigan, ularni ilhomlantiradigan asosiy manbalardan biridir. Qahramonlar nutqida maqollarning ishlatilishi, ertaklar, afsona va dostonlarning ma’lum bir motivlarini asar uchun asos qilib olish badiiy adabiyotda tez-tez uchrab turadigan hodisadir. Yozuvchi Joan Rouling ham “Garri Potter”ni yozish jarayonida xalq og`zaki ijodi namunalaridan kerakli o`rinlarda unumli foydalanganiga guvoh bo`lishimiz mumkin. Rouling yaratgan sehrli va xayoliy olamda hamma narsa: qahramonlardan tortib turli mavjudotlargacha haqiqiy real olamdagidan farq qiladi. Shu xususiyati bilan “Garri Potter” ma’lum ma’noda xalq og`zaki ijodi namunasi bo`lgan ertak va afsonalarni yodga soladi.

Muallifning o`zi ham “Garri Potter”ni yozish jarayonida ingliz xalq og`zaki ijodiga bevosita murojaat qilganini ta’kidlab o`tgan:

"I've taken horrible liberties with folklore and mythology, but I'm quite unashamed about that, because British folklore and British mythology is a totally bastard mythology. You know, we've been invaded by people, we've appropriated their gods, we've taken their mythical creatures, and we've soldered them all together to make, what I would say, is one of the richest folklores in the world, because it's so varied. So I feel no compunction about borrowing from that freely, but adding a few things of my own." ¹

Rouling yuqorida aytib o`tganidek, ingliz folklori dunyodagi eng boy xalq og`zaki ijodlaridan biri hisoblanadi. Sababi, necha ming yillardan buyon bir necha istilochilik yurishlari qurboni bo`lgan Britaniya xalq og`zaki ijodi istilochi xalqlar folklori va mifologiyasi hisobiga boyib kelgan. Britaniya yerlarini bosib olgan har bir xalq uning aholisi o`rtasida o`zining xudolari haqidagi qarashlarni va mifologik qahramonlarini yoyishga harakat qilgan. Shuning uchun ingliz folklorida boshqa xalqlar og`zaki ijodida uchraydigan afsonaviy voqealar hamda turli mifologik jonzotlarning uchrashi tabiiydir.

Yevropa xalqlari folklorida haybatli qora it timsoli ham ko`p uchraydi. Ingliz xalqining bir necha asrdan buyon avloddan avlodga o`tib kelayotgan ertak va hikoyalarida “Black Shuck” (“qora jundor”) nomi bilan yuritilib, ko`pincha u yonib turuvchi qip-qizil ko`zli, haddan tashqari katta qora it sifatida tasvirlanadi. Shoir Martin Nyuel afsonaviy it tasvirini quyidagicha keltiradi:

As big as a calf, with eyes like burning coals, he pads silently beside the traveler on lonely country roads. Always keeping pace, he never drops back but simply seems to melt away. In some parts of the region, they believe that if you see old Shuck, then you or someone in your family will die. But best not to see him.¹

Britaniyaning turli hududlarida tarqalgan ertaklarda bu itni ko`rgan insonning o`zi yoki qarindoshlaridan biri vafot etadi, degan qarashlar mavjud. “Black Shuck” obrazining xalq og`zaki ijodidan badiiy adabiyotga ham kirib kelganini Artur Konan Doylning “Sherlok Xolms” asarida “Baskervillar iti” degan qismida ko`rishimiz mumkin. Rouling ham ushbu afsonaviy mavjudot obrazidan asarning uchinchi kitobi “Garri Potter va Azkaban mahbusi”da samarali foydalangan. Asarda Garri bir necha marotaba yonib turgan ko`zli, kattakon qora itga duch keladi. Garrining do`sti Ron afsonadan kelib chiqqan holda buni o`lim ramzi bo`lishi mumkin, deb ta’birlaydi:

‘Harry,’ he said, in a low, serious voice, ‘you haven’t seen a great black dog anywhere, have you?’

‘Yeah, I have,’ said Harry. ‘I saw one the night I left the Dursleys.’ Ron let his fork fall with a clatter.

‘Probably a stray,’ said Hermione calmly. Ron looked at Hermione as though she had gone mad. ‘Hermione, if Harry’s seen a Grim, that’s – that’s bad,’ he said. ‘My – my Uncle Bilius saw one and – and he died twenty-four hours later!’ ²

Bunda Rouling arvohday kezib yuruvchi bahaybat qora it afsonasini to`g`ridan-to`gri keltirmay, qahramonlar nutqi orqali ularning bu afsonadan xabardor ekanliklarini ko`rsatib bergan.

Oldindan yozilgan taqdir yoki bola tug`ilmasdan oldin uning taqdirini bashorat qilish motivlari grek mifologiyasida keng tarqalgan. Buyuk yunon fojianavisi Sofoklning barchamizga yaxshi tanish bo`lgan, syujeti yunon xalqida mashhur bo`lgan rivoyatlardan olingan “Shoh Edip” asari xuddi shu motiv asosiga qurilgan.

Bundan tashqari, bashorat motivi faqatgina mifologiyada uchramay, balki xristian dini payg`ambari Iso Masihning tug`ilishi haqidagi rivoyatlarda ham o`z aksini topgan. Ularga ko`ra, Iso tug`ilmasdan oldin payg`ambarning dunyoga kelishi va unga hamma, hatto qirollar ham bo`ysunishi bashorat qilinadi. O`z taxtidan ayrilishni istamagan yahudiy qiroli Irod uni o`ldirishga harakat qilgan. Xuddi mana shu motivni Rouling kitobning beshinchi qismi “Garri Potter va qaqnus ordeni”da qo`llaydi. Aynan shu qismda Garri yillar davomida izlagan savoliga javob topadi, ya’ni nega yovuz lord Voldemort Garrini chaqaloqligida o`ldirmoqchi bo`lganligi sababini bilib oladi. Beshinchi kitob so`ngida keltirilgan “Lost prophecy” (“Yo`qolgan bashorat”) bobida voqealar Garri tug`ilishidan biroz oldin, professor Trelonining bashorati sabab boshlangani kitobxonga ma’lum bo`ladi. Bashorat quyidagi mazmunda edi:

‘The one with the power to vanquish the Dark Lord approaches ...born to those who have thrice defied him, born as the seventh month dies ... and the Dark Lord will mark him as his equal, but he will have power the Dark Lord knows not ... and either must die at the hand of the other for neither can live while the other survives ... the one with the power to vanquish the Dark Lord will be born as the seventh month dies ...’ ¹

Bashoratdan xabar topgan Voldemort iyul oyi oxirida dunyoga kelgan bola, ya’ni Garrini o`ldirishga harakat qiladi, ammo uning bu urinishi bashoratda aytilganidek samarasiz bo`lib chiqadi.

‘Voldemort tried to kill you when you were a child because of a prophecy made shortly before your birth. He knew the prophecy had been made, though he did not know its full contents. He set out to kill you when you were still a baby, believing he was fulfilling the terms of the prophecy.¹

Ko`rinib turganidek, “Garri Potter”da ham ikki qahramon o`rtasidagi hayot-mamot to`qnashuviga asosiy sababchi bashorat bo`lgan.

Roulingning xalq og`zaki ijodiga murojaatini yovuz sehrgar Voldemortning o`z jonini bir necha qismga bo`lib, ularni yettita buyumda saqlashi orqali ham bilib olish mumkin. Ko`pchilikka bu holat rus xalqining “O`lmas Koshshey” haqidagi ertaklarini eslatib yuboradi. Ammo bu faqat rus xalq ertaklarida uchramay, Jeyms Frezer fikricha, ruhni tanadan tashqarida saqlash (external soul) konsepsiyasi Hindistondan tortib Afrikagacha bo`lgan hududlarida yashovchi juda ko`p xalqlar folklorida o`z ifodasini topgan. Ko`p xalqlarning folklorini o`rganib chiqqan Frezer o`z kitobida nemis, rus, hind, grek, transilvan, ingliz va boshqa bir qator afrika xalqlarning shu motiv mavjud bo`lgan ertak va afsonalaridan misollar keltiradi. Ularning barchasida bunday buyumlar va unda saqlanayotgan jon yo`q qilinmaguncha, ruhi tanasidan tashqarida bo`lgan qahramonlarni o`ldirishning iloji yo`q. Bu ertak va afsonalarda voqealar hamda qahramonlar o`z jonlarini yashirgan buyumlari bir-biridan farq qilsa ham, ularda qahramonlarning yovuzlik tarafdorlari ekanligi va ularning sehr-jodudan xabardor ekanligi umumiy xususiyat hisoblanadi.<sup>2</sup> Xuddi mana shu konsepsiyani Rouling badiiy sayqallab, ma’lum o`zgartirishlar o`zgartirgan holda, yovuz sehrgar Voldemort timsolida ochib beradi. Folklordagi motivdan farq qilib, Voldemort o`z jonini bitta emas, balki yettita buyum, ya’ni krestrajda saqlaydi. Krestraj – yovuz sehrgarlar abadiy tiriklikka erishish uchun o`z jonlarining ma’lum qismini yashiradigan kuchli sehrlangan buyum. Bunday buyum faqatgina yovuz sehrgarlar tomonidan yaratilishining sababi shundaki, krestraj hosil qilish va ruhni unga yashirish uchun albatta eng oliy jinoyatni amalga oshirish, ya’ni qotillikka qo`l urish kerak bo`ladi.

‘How do you split your soul?’

‘By an act of evil – the supreme act of evil. By committing murder. Killing rips the soul apart. The wizard intent upon creating a Horcrux would use the damage to his advantage’ ¹

Bundan tashqari, yana bir farqli tomoni shundaki, ertaklarda qahramonning ruhi saqlanadigan buyum osonlik bilan yo`q qilinsa, “Garri Potter”da Voldemort joni saqlanadigan krestrajlarni yo`q qilish juda mashaqqatli ish hisoblanadi. Buni har qanday sehrgar amalga oshira olmaydi. Rouling ushbu o`zgartirishlar orqali Voldemortning bir tomondan, juda kuchli sehrgar ekanligini, boshqa tomondan esa, naqadar yovuz ekanini ko`rsatib beradi.

Yunon mifologiyasidagi Kerber yoki Serber – Aid (o`lim xudosi)ning marhumlar saltanati chiqish eshigini qo`riqlovchi uch boshli afsonaviy it. Ushbu mifologik mavjudot “Garri Potter va faylasuflar toshi” qismida ham tilga olingan:

They were looking straight into the eyes of a monstrous dog, a dog which filled the whole space between ceiling and floor. It had three heads. Three pairs of rolling, mad eyes; three noses, twitching and quivering in their direction; three drooling mouths, saliva hanging in slippery ropes from yellowish fangs.²

Rouling qo`llagan bu uch boshli it obrazi ham asarda Kreberga o`xshab qo`riqlash vazifasini bajaradi, ammo undan farqli o`laroq, faylasuflar toshiga eltadigan yo`lga chiqish eshigini qo`riqlaydi.

Shuningdek, “Garri Potter”ning 7 qismida ham ajdarho eng ko`p uchraydigan obrazlardan biridir. Ajdarho xalq og`zaki ijodining shunday obraziki, u nafaqat Yevropa yoki ingliz folklorida, balki o`zbek xalq ijodi namunalarida ham tez-tez tilga olinadi.

Bundan tashqari, asarda uchraydigan boggartlar, goblinlar, kentavrlar, elflar, qaqnus qushi, vasilisk iloni va shunga o`xshash ko`pgina jonzotlar muallifning badiiy to`qimasi mahsuli emas, balki xalq og`zaki ijodidan olingan obrazlardir.

Ingliz folkloriga xos boggartlar tavsifi “Dictionary of English folklore” lug`atida quyadigicha beriladi: ‘Boggart’ was a general term for any supernatural being which frightened people, whether indoors or out, without specifying whether it is ghost, malicious fairy, or minor demon.¹

Boggartlar aniq shaklga ega bo`lmagan, insonlarni qo`rqitadigan g`ayrioddiy mavjudotlardir. Rouling asarning “Garri Potter va Azkaban mahbusi” qismida ilk bor boggartlar haqida ma’lumot beradi. “Garri Potter”da boggartlar ro`parasida turgan inson qo`rqadigan narsa ko`rinishiga o`ta olish xususiyatiga ega.

‘Boggarts like dark, enclosed spaces,’ said Professor Lupin. ‘Wardrobes, the gap beneath beds, the cupboards under sinks – I once met one that had lodged itself in a grandfather clock.

‘So, the first question we must ask ourselves is, what is a Boggart?’

‘It’s a shape-shifter,’ she said. ‘It can take the shape of whatever it thinks will frighten us most.’ ²

Boggartlar hatto inson ko`rinishiga ham o`ta olishadi. Masalan, boggartlardan qo`rqmaslik va ularning shaklini kulgili tusga kiritishni mashq qilish darsida boggart Nevilning ro`parasida professor Sneyp qiyofasiga kiradi. Chunki inson yuragining tub-tubidagi qo`rquvni his oladigan boggart Nevilning eng kuchli qo`rquvi professor Sneyp bilan bog`liqligini sezadi.

‘Right, Neville,’ said Professor Lupin. ‘First things first: what would you say is the thing that frightens you most in the world?’