5) What is an example where you’ve noticed yourself being motivated
by scarcity? New high tech devices (new phones, gadgets, etc.) are
frequently scarce when they are released. Does possession of these
products carry social currency? Does their frequent release (a veritable
flooding of the market) make them less scarce?
6) Would you brave the phone lines to enter Please Don't Tell? What
about its seclusion appeals to you? Is there also something that turns
you off to the fight for a seat?
7) Compare an instance of
ongoing and
immediate word of mouth. Is
one more powerful than the other?
8) Without thinking too hard, what is currently top of mind for you?
Can you identify triggers is your own life that bring things to mind?
For example, whenever I see or hear __________ I think about
____________.
9) Like the Mars Bar and Rebecca Black's Friday, discuss products or
campaigns that have "natural" triggers. Does having a pre-existing
"habitat" increase likelihood of sharing? Of purchase?
10) Discuss
high-arousal versus
low-arousal emotions. What are some
examples of each that you’ve noticed in your own lives? Is it strange that
"contentment" (which so many people strive for in every day life) elicits
little arousal? Have you ever shared something sad?
11) Privacy is a paramount concern in today's information-driven digital
era. How does this fit with the idea of making the private public?
(Consider Movember, Hotmail, and the Facebook generation.). When do
we want our choices and opinions to be public versus private? Where are
the lines drawn between open and closed information?
12) Watch Tim Piper/Dove’s
Evolution video. Discuss the idea of Trojan
Horses and how emotion is coded into the narrative of ideas.
13) Which aspect of STEPPS do you think is most affective? Compare
Berger’s various examples of Social Currency, Triggers, Emotions,
Public, Practical Value, and Stories. Is one of these characteristics most
important for driving sharing? Is there a specific combination that makes
one thing more appealing than another?
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