CHAPTER TWO
LITERATURE REVIEW
“Multiplicity and inner division are opposed by an integrative unity whose power is
as great as that of the instincts. Together they form a pair of opposites necessary for
regulation, often spoken of as nature and spirit.” (Jung 1969; 51)
2.1 Introduction
This chapter explores how my ideas outlined in chapter one are grounded in the literatures and
the way the study aims to contribute to knowledge. The introductory quotation above is
suggestive of the divisions or tensions inherent in the work which seem to hold opposition
throughout the whole process of the study. Such tensions which appear intrinsic to the concepts
of containment and freedom are addressed in this chapter (and chapter 5). Containment, freedom
and polarity are discussed in relation to counselling theory, to the literatures in which they appear
and linked to the fairy tale of Beauty and the Beast. The place of poetry in this study and within
narrative research is introduced alongside relevant literatures. The aforementioned concepts,
theory, literatures and learning culminate in explaining how my voice gained confidence and
created this study through the processes following trauma. Etherington (2003), in a collection of
narratives shows “how individuals found ways of discovering, holding onto and strengthening
their sense of safety and self through creating a narrative of their lives” (189). It seems that my
poetry began my transformation which continues through this narrative research.
The experience of the processes outlined in chapter one led me to want to learn more about the
process of change in clients. It is all too easy to hypothesise what the experience of the client is,
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but do we really know? Theories, and case studies which back up the theories sell an ever
growing number of books, but these are based on the counsellor‟s views. McLeod (2001)
suggests that there is so much that we take for granted in relation to experience that it feels
important to continue to open doors into the client‟s lived experience (Ellis and Flaherty 1992) of
counselling to clarify and challenge these theories. Researchers are finding new ways to study
the experience of the client (Rennie 1998; Ellis and Flaherty 1992; Payne 1992; Payne 1993;
Etherington 2000; 2004) as collaborative paradigms (Reason and Rowan 1981; McLeod 2001)
and subjective experience (Ellis 1995; Green and Scholes 2004) become more accepted forms of
investigation. Books written by clients, promoting their views are also beginning to make their
way into counselling literature (Little 1990; Lott 1999; Sands 2000). Counsellors have also used
their experience as former clients (Bion 1985; Kurtz 1989) to inform their work and perhaps this
needs to be a more openly affirmed part of written theory.
2.2. Containment, freedom and polarity in the literature
In investigating containment and freedom as a polarity in the internal world of the client in a
therapeutic relationship, I have discovered no evidence of research that specifically relates to
these concepts. Therefore different theories (Rogers 1961; Yalom 1980; Clarkson 1994; Siegel
1996) and ways of thinking (Buber 1937; Bowes 1971; Jung 1961; 1969; Wallace and Findley
1975; Jacobs 2000) that suggest areas of opposition and attraction, of polarities, that might
benefit from research are reviewed in the literature.
2.2.1 Containment
Writings on aspects of containment, as a notion of the counsellor's holding of the client, are
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dotted through counselling, psychotherapy and psychoanalytic journals (Gold 1982; Dehing
1994; Davor 1996; Rosenbaum and Garfield 1996; Symington 1996), particularly in reference to
Bion‟s (1962; 1967) work. However there is no evidence of the construct of containment being
perceived or experienced by the client. Theory does explore the concept of contents (Jung 1969)
of the psyche and the client‟s internal objects (Klein 1975; Greenburg and Mitchell 1983). Such
theory suggests that the clients‟ internal worlds contain their experiences, feelings, and aspects of
themselves and others who have influenced their lives. In writing about the post-Kleinian model
of the mind Meg Harris Williams (2005) brings together the ideas of Freud, Klein and Bion
alongside classic poetry and the mythologies and metaphors that have influenced psychoanalytic
thought. She sees counselling as an aesthetic process and suggests that “the emotional experience
is a poetic marriage of contrary emotions” (192) (like the marriage of beauty and the Beast)
where internal objects are able to communicate within the client. She feels that the anguish
suffered by the opposition between these internal objects “if it can be undergone, is accompanied
or followed by a revelation of its meaning” (192). This process seems to fit with my personal
experience in that anguish caused by opposition led to me to new understandings about myself
and the external world. However the terminology of internal objects feels distant and cold as if
they are separate and not part of the self, whereas the internal selves I experience are close and
passionate. These selves relate to the poststructuralist concept of multiple selves (Speedy 2004)
and as Foucault suggests a single identity will never be discovered for we are: “a complex
system of distinct and multiple elements, unable to be mastered by the powers of synthesis”
(1984; 94). My experience of these selves was that they not only “regenerate” (Speedy 2004;26)
but appear to increase in number as following trauma experience created a split between the way
I functioned and the way I viewed myself. In other words there may be the potential for new
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selves to be born out of powerful experiences. Harris Williams sees this split between function
and self as being “essential to creativity” (2005; 87) which makes sense of my creative writing
through trauma and my desire to create this study. But perhaps this split generates creativity in
that the tension of opposition between function and self creates movement/transformation within
our thinking and feeling processes. This idea that function is also part of the content of the
internal world suggests that the individual does not only communicate with other selves but also
with experience (as I communicated with the experience of trauma in the family). It seems that
whichever terminology is used, objects or selves, much is contained within the internal world
and therefore it seems likely that some sense of containment within this world may be
experienced by the client in counselling.
Although Freud (1905) first originated the container concept as the body with its physical
borders and openings symbolising the boundaries and thoroughfares of the mind‟s functioning,
Bion (1962; 1967) was the first to use a model of containment in order to think about the
therapist's holding process. Using the mother-infant relationship he suggested an active three
dimensional metaphor of containment. He postulated that the maternal function of reverie is an
early, intuitive form of communication which responds to the infant‟s feeling states as they are
transmitted into the mother. She contains them within her, in her mind and returns them
transformed, in more tolerable form into the infant psyche. Within the holding of the mother‟s
internal reverie the infant grows.
If, like the mother the counsellor contains the adult client (Kogan 1988; Quinodoz 1992) then it
seems reasonable to wonder how the client experiences containment within the counselling
relationship. The containment already introjected (Storr 1960) by the client in his/her life so far
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may define how containment is experienced in the counselling relationship. In the search for
integration (Jacobs 1986; Kogan 1988) the client‟s perceptions may effect his/her responses to
the counsellor‟s containment. As counsellors we may understand the client‟s responses in terms
of transference (Malan 1995; Rogers 1951; Siegel 1996) or object relations (Brown and Pedder
1979; Grotstein 1982) but this does not explain the client‟s experience as much as it perhaps
explains the counsellor‟s experience. In order to understand more about the client‟s experience of
containment we need to learn about the constructs and processes that form the reality of her/his
internal world from the client‟s perspective (Bannister and Fransella 1986). It was my heightened
experiences as a client that seemed to enable me to feel these internal processes so perhaps they
may be present in others.
The three dimensional nature of containment (Kogan 1988; Quinodoz 1992; Rosenbaum and
Garfield 1996), suggests the complexity of this construct. Godwin states:
“a healthy and robust system must be far from equilibrium and mathematically
chaotic. Systems close to equilibrium do not have the resilience to withstand random
fluctuations, which may break the system apart and destroy it completely” (1994:21).
For containment to be a robust construct, perhaps it has to be chaotic so that it is resilient enough
to be dynamic (Rosenbaum and Garfield 1996). Just as Field (1994) suggests that there can be no
notion of darkness without light, it seems logical, within this context, to assume that there can be
no notion of containment without some form of opposition within its makeup. Such opposition
(Wallace and Findlay 1975) stops containment existing in isolation and enables movement for
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“all opposites seek to achieve a state of balance” (Jung 1961; 379). This seeking for balance may
be the dynamic or energy that engenders change in the internal world of the client (Jung 1969;
Bion 1990). It is proposed in this study that by giving containment some form of opposition and
enlarging the concept makes containment a more dynamic system. Within such a construct both
movement and moments of stillness or balance have the opportunity to coexist and be
experienced by the client. Jung saw the presence of such opposition as:
“essential for progression, which is the successful achievement of adaptation, that
impulse and counter impulse, positive and negative, should reach a state of regular
interaction and mutual influence” (1969; 33).
According to Jung then this opposition is essential for progress or transformation to occur within
the client. I experienced stillness and being stuck when caught in shock, while at the same time
the opposition of movement in anguish and howling was also present. If these contrasting states
can be made visible in others it might add to our understanding of the therapeutic process of how
clients experience opposing states and through them create change.
Steiner (1994) sees containment as part of a process of development where the counsellor holds
client projections until the client can tolerate them being given back in the form of counsellor
interpretations. This suggests emotional movement held within the nature of containment. It also
hints at the client's containment of his/her projections which move between the client and the
counsellor. Grotstein (1982) states that the internal objects of the human being are “permanent
yet constantly evolving states” (83) suggesting that there is always some kind of movement of
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the internal objects within the client. Bion Steiner and Grotstein confirm the movement and
process of life within the internal world of the human being. This being accepted it would seem
to follow that the dimensions of containment within the person may also possess the qualities of
dynamic processes (Godwin 1994; Rosenbaum and Garfield 1996; Hubback 1998), or the
freedom needed to move and change.
Kogan (1988; 251) looks at the relationship between self, body and object exploring these three
dimensions. In an analytic experience where the analyst represents a “second skin” (Kogan 1988;
259) various aspects of the client‟s personality are contained as movement is found towards a
“better integrated self” (Kogan 1988; 259). Quinodoz (1992; 634) looks at the analyst‟s
containing function as being expressed through the setting of the counselling relationship, which
is itself an active container. Rosenbaum and Garfield (1996) bring together cognitive science
(semantics) and the psychoanalytic theory of the mind, with the metaphor of containment. Their
paper suggests that the three dimensions of containment are: perceptions of affects, phantasy and
socio-interaction. The words and concepts may be different but Kogan, Quinodoz, Rosenbaum
and Garfield all use three dimensions to draw an image of containment. Movement between the
dimensions of containment in each of these articles is seen as omnipresent within the internal
world of the client and outwith into the external world of the counsellor.
Despite their differences the literatures agree that containment is an active three dimensional
concept where movement between the dimensions may enable emotional movement within the
client. Although most of this theory relates to the counsellor and client and movement between
their internal worlds perhaps it may also be seen as relating to the individual/client. As the
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client‟s internal objects/selves are part of their internal world then movement must also occur
between these parts of the client if transformation is to happen. I experienced this kind of
movement and conversations between different parts of myself following trauma as expressed in
chapter one. It made me aware not only of changes within myself, but of the process of
transformation. Although based on what I contained and did not want to contain it was never the
less my experience of containment and its intrinsic opposition that brought the difficulties of
process and emotional movement into awareness. There was also the sense that containment (in
the sense of holding emotions within like Beauty or my sister) was more acceptable to others,
whereas showing the freedom of real feelings from trauma felt wild and unwanted like the Beast.
This is how containment became Beauty, in that appearing contained was a more acceptable face
to present to others. Having discovered this within myself there grew a desire to find out if
opposition and the experiences of containment might be experienced by others. Such knowledge
would add to counsellors‟ understanding of client process and might both confirm and add to
established theory.
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