Herbert wells his life and work. His best scientific fantastic novels

Wartime works
Title page of Wells's The War That Will End War (1914)
Seeking a more structured way to play war games, Wells wrote Floor Games (1911) followed by Little Wars (1913), which set out rules for fighting battles with toy soldiers (miniatures).^[95] A pacifist prior to the First World War, Wells stated "how much better is this amiable miniature [war] than the real thing".^[95] According to Wells, the idea of the game developed from a visit by his friend Jerome K. Jerome. After dinner, Jerome began shooting down toy soldiers with a toy cannon and Wells joined in to compete.^[95]
During August 1914, immediately after the outbreak of the First World War, Wells published a number of articles in London newspapers that subsequently appeared as a book entitled The War That Will End War.^[96][97] He coined the expression with the idealistic belief that the result of the war would make a future conflict impossible.^[98] Wells blamed the Central Powers for the coming of the war and argued that only the defeat of German militarism could bring about an end to war.^[99] Wells used the shorter form of the phrase, "the war to end war", in In the Fourth Year (1918), in which he noted that the phrase "got into circulation" in the second half of 1914.^[100] In fact, it had become one of the most common catchphrases of the war.^[99]
In 1918 Wells worked for the British War Propaganda Bureau, also called Wellington House.^[101] Wells was also one of fifty-three leading British authors — a number that included Rudyard Kipling, Thomas Hardy and Sir Arthur Conan Doyle — who signed their names to the "Authors' Declaration." This manifesto declared that the German invasion of Belgium had been a brutal crime, and that Britain "could not without dishonour have refused to take part in the present war."^[101]
Travels to Russia and the Soviet Union
Wells (left) pictured with Soviet physiologist Ivan Pavlov Wells visited Russia three times: 1914, 1920 and 1934. After his visit to Petrograd and Moscow, in January 1914, he returned "a staunch Russophile". He revealed his impressions in "Russia and England: A Study on Contrasts" in The Daily News, on 1 February 1941 and in the novel Joan and Peter (1918).^[102] During his second visit, he saw his old friend Maxim Gorky and with Gorky's help, met Vladimir Lenin. In his book Russia in the Shadows, Wells portrayed Russia as recovering from a total social collapse, "the completest that has ever happened to any modern social organisation."^[103] On 23 July 1934, after visiting U.S. President Franklin D. Roosevelt, Wells went to the Soviet Union and interviewed Joseph Stalin for three hours for the New Statesman magazine, which was extremely rare at that time. He told Stalin how he had seen 'the happy faces of healthy people' in contrast with his previous visit to Moscow in 1920.^[104] However, he also criticised the lawlessness, class discrimination, state violence, and absence of free expression. Stalin enjoyed the conversation and replied accordingly. As the chairman of the London-based PEN International, which protected the rights of authors to write without being intimidated, Wells hoped by his trip to USSR, he could win Stalin over by force of argument. Before he left, he realised that no reform was to happen in the near future.^[105][106]
Final years H. G. Wells in 1943
Wells's greatest literary output occurred before the First World War, which was lamented by younger authors whom he had influenced. In this connection, George Orwell described Wells as "too sane to understand the modern world", and "since 1920 he has squandered his talents in slaying paper dragons."^[107] G. K. Chesterton quipped: "Mr Wells is a born storyteller who has sold his birthright for a pot of message".^[108]
Wells had diabetes,^[109] and was a co-founder in 1934 of The Diabetic Association (now Diabetes UK, the leading charity for people with diabetes in the UK).^[110]
On 28 October 1940, on the radio station KTSA in San Antonio, Texas, Wells took part in a radio interview with Orson Welles, who two years previously had performed a famous radio adaptation of The War of the Worlds. During the interview, by Charles C Shaw, a KTSA radio host, Wells admitted his surprise at the sensation that resulted from the broadcast but acknowledged his debt to Welles for increasing sales of one of his "more obscure" titles.^[111]
Death
Commemorative blue plaque at Wells's final home in Regent's Park, London
Wells died on 13 August 1946, aged 79, at his home at 13 Hanover Terrace, overlooking Regent's Park, London.^[112][113] In his preface to the 1941 edition of The War in the Air, Wells had stated that his epitaph should be: "I told you so. You damned fools".^[114] Wells's body was cremated at Golders Green Crematorium on 16 August 1946; his ashes were subsequently scattered into the English Channel at Old Harry Rocks, the most eastern point of the Jurassic Coast and about 3.5 miles (5.6 km) from Swanage in Dorset.^[115]
A commemorative blue plaque in his honour was installed by the Greater London Council at his home in Regent's Park in 1966.^[116]
Futurist
"Novelist and thinker". Statue of H. G. Wells by Wesley Harland in Woking
A futurist and "visionary", Wells foresaw the advent of aircraft, tanks, space travel, nuclear weapons, satellite television, and something resembling the World Wide Web.^[5] Asserting that "Wells's visions of the future remain unsurpassed", John Higgs, author of Stranger Than We Can Imagine: Making Sense of the Twentieth Century, states that in the late 19th century Wells "saw the coming century clearer than anyone else. He anticipated wars in the air, the sexual revolution, motorised transport causing the growth of suburbs and a proto-Wikipedia he called the "world brain". In his novel The World Set Free, he imagined an "atomic bomb" of terrifying power that would be dropped from aeroplanes. This was an extraordinary insight for an author writing in 1913, and it made a deep impression on Winston Churchill."^[117]
Many readers have hailed H. G. Wells and George Orwell as special kinds of writers, ones endowed with remarkable prescriptive and prophetic powers. Wells was the twentieth-century prototype of this literary vatic figure: he invented the role, explored its possibilities, especially through new forms of prose and new ways to publish, and defined its boundaries. His impact on his culture was profound; as George Orwell wrote, "The minds of all of us, and therefore the physical world, would be perceptibly different if Wells had never existed."
— The Author as Cultural Hero: H. G. Wells and George Orwell.^[118]
In 2011, Wells was among a group of science fiction writers featured in the Prophets of Science Fiction series, a show produced and hosted by film director Sir Ridley Scott, which depicts how predictions influenced the development of scientific advancements by inspiring many readers to assist in transforming those futuristic visions into everyday reality.^[119] In a 2013 review of The Time Machine for the New Yorker magazine, Brad Leithauser writes, "At the base of Wells's great visionary exploit is this rational, ultimately scientific attempt to tease out the potential future consequences of present conditions—not as they might arise in a few years, or even decades, but millennia hence, epochs hence. He is world literature's Great Extrapolator. Like no other fiction writer before him, he embraced "deep time".^[120]
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