an’analari seziladi. Ilqor Toskana va Lombardiya maktablarida mahal- liy antika an’analari ta’siri borligi ko‘rinadi365. Pizadagi me’morchilik ansambli bu xususda diqqatga sazovorlir. Ansambidagi har bir bin mustaqil ahamiyatga ega. Ulaming tashqi devorlari nafis arqadalar bilan qator yaruslarga ajratilgan. Bu hoi bino ko‘rinishiga yengillik va nafis o‘ziga xos latofat kiritgan. Natijada ko‘rinish jihatdan juda katta Piza sobori ham yengil va jozibali bo‘lib H is to iy o f Architecture A .D .F .H a m lin . A . M . P ro fesso r o f t b e h is to iy o f A rchitecture in the s c h o o l o f Architecture, C O L U M B IA , U N 1V E R SIR Y ,1 9 9 8 S E V E N T H E D IT IO N . P 3 7 6 (T h e p la n s o f m o st o f the churches w ere su b sta n tia lly the sa m e as the b a silica s, m o re e s p e c ia lly in Central Italy; in the North the chu rch es are m o stly vaulted, m o d ifica tio n s bein g introduced o n th e lin e s o f G erm an w ork; in the South, the lo w lanterns at the cro ssin g , ob io n g m plan, are m ark ed features, a s at M onreale Cathedra) T h e ch o ir w as o c c a sio n a lly raised to adm it o f a crypt beneath, reach ed b y sreps fro m the nave. A n um ber o f circular e h a m p le s w ere built m ainly a s baptisteries, that at N ovara bem u c o n n e c te d to th e cathedral by an atrium. T h ere is a fin e atrium at S. A m brogio, M ilan. In the North the o p en arcades o f the a p ses se e n in conjunction with the usual arcaded o cta g o n a l lantern at the cro ssin g , co n stitu te the charm o f the sty le . P rojectin g porch es w ere preferred to re ce sse d doo rw a y s, and are bold o p en-arch ed structures, o ften o f two sio ries, resting o n isolated co lu m n s, and placed o n h u g e sem i-gro tesq u e {ions, h a v in g a sy m b o lic character.)
