Science and Education in Karakalpakstan issn 2181-9203 Science Magazine chief editor

Science and Education in Karakalpakstan. 2023 №2/1 ISSN 2181-9203 
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art, the character of the heroes is connected with the center of social and social conditions created 
by him, his personal personality, morals, joys and frustrations, as in marriage itself, and his inner 
spiritual psychological state are revealed" [2]. A lyrical character can also be found in poetic works. 
We can see the presentation of the lyrical character in the lyrics of the hero. 
In the science of literature, the problem of the lyrical hero has been studied by several 
scientists. The scientist K.Khudaibergenov, who is concerned with the problem of the lyrical hero, 
gives the following comments: "In the article "Division of Poetry into Types and Genres", Belinsky 
said that the author's subject gets absorbed in the concrete material of the poem, and in the lyrics, 
the material of the poem is transmitted to the author's subject. Therefore, in both cases, the marital 
material and the author's subject maintain an inseparable unity. In the lyrics, the author's "me" plays 
the role of the character in the novel" [17.28] Scientist S.O.Ergesheva, "The nature of the lyrical 
hero is presented in different ways as a compound image, one of the tools to explain the author's 
thinking. Therefore, its nature is to a certain extent related to the nature of the other person. For that 
reason, when researching the problem of lyrical hero, first of all, one pays attention to the lyrical 
lyrics, and in them, attention is paid to the extent to which the features characteristic of the author's 
nature are radiated [18.108] ‒. 
In the lyrics, the hero is realized not in the narration of events, as in epics or dramas, but in 
the display of inner feelings and regrets. An image whose feelings and spiritual regrets related to 
phenomena in the outer center, natural or socio-political events are radiated is considered to be the 
image of a lyrical hero. In the poem, the lyrical hero is represented by the first-person form, i.e. "I". 
Therefore, it approaches the image. In theoretical moments, the fact that the image of the author and 
the lyrical hero are not the same, but have differences, has had its scientific confirmation. "The 
lyrical hero is not the resin itself, but an artistic literary image.
Therefore, it is necessary to divide heroes in lyrical works into two groups: subjective hero, 
i.e., the main character of the work, all the characters are given on behalf of the subjective (lyrical) 
hero, objective heroes, i.e. participants other than the lyrical hero in the work" [4.37]. Therefore, the 
lyrical hero is the main image in the work, and it depicts the appearance of that era or time, happy 
and sad feelings of people. The lyrical hero makes clear and consistent comments on the events that 
happened in his life. We can also see this in the lyrical hero caches in poetic works written by girls. 
In the lyrical hero of the works of M. Zhumanazarova and P. Mirzabayeva, who are the object of 
our study, we see the images of a devoted child, a dear friend, a loving mother, not a fan of the 
events surrounding his father, but a fan. Shayira M. Zhumanazarova's "Shaginiw", "Konemen endi", 
"Spiritual message from Ahuramazda", (Ahuramazda menen ruwxiy sawbet), "Tumaristiń tigip 
ketken náli", "Jat boldiń-aw qaraģım", "Hám jańa hám góne dúnya bul", "Teleziw" [5] and others, 
P. Myrzabayeva's "Xojeli qalasındaģı balalar úyinde jazılģan qosıq", "Qaraqalpaqstan jaziwshilar 
awqaminda tuwilgan oylar", "On qadem araliq haqqinda", "Maman biy monologi", "Ozimdi 
ayiplaw", "Ulim" [9] The lyrical characters in his poems have the qualities that are not present in 
them. We can see from this that we can feel everything that is reflected in the quality of these 
resins, not only the names mentioned, but also in the lyrical heroes of the poetry works that were 
written in the last era. Poetry researcher K. Orazymbetov expressed the following opinion about the 
growth and evolution of the lyrical hero in Karakalpak lyricism: "The lyrical hero began as an 
individual. The attitude of the lyrical hero to the situations and problems that happened to him 
began to appear as the attitude of an individual. 
This thing not only increased the artistry of the lyrical works, but also enriched its content 
and saved the reader from boring monotony" [10.20]. I. Tulakov's opinion is similar to this opinion. 
He is considered a "lyrical hero, first of all as a person." As a person who has taken a bold step on 
the path of self-satisfaction, he calls the world and people to act with the ideals of perfection. The 
"I" who has come to understand that life is made up of the history of the eternal gyrus, does not 

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