“He is,” Gus said. “So is Rik Smits. So are tulips.” Gus stopped in the middle of the
clearing with the bones right in front of us and slipped his backpack off one shoulder, then
the other. He unzipped it, producing an orange blanket, a pint of orange juice, and some
sandwiches wrapped in plastic wrap with the crusts cut off.
“What’s with all the orange?” I asked, still not wanting to let myself imagine that all
this would lead to Amsterdam.
“National color of the Netherlands, of course. You remember William of Orange and
everything?”
“He wasn’t on the GED test.” I smiled, trying to contain my excitement.
“Sandwich?” he asked.
“Let me guess,” I said.
“Dutch cheese. And tomato. The tomatoes are from Mexico. Sorry.”
“You’re always such a
disappointment, Augustus. Couldn’t you have at least gotten
orange tomatoes?”
He laughed, and we ate our sandwiches in silence, watching the kids play on the
sculpture. I couldn’t very well
ask him about it, so I just sat there surrounded by
Dutchness, feeling awkward and hopeful.
In the distance, soaked in the unblemished sunlight so rare and precious in our
hometown, a gaggle of kids made a skeleton into a playground, jumping back and forth
among the prosthetic bones.
“Two things I love about this sculpture,” Augustus said. He was holding the unlit
cigarette between his fingers, flicking at it as if to get rid of the ash. He placed it back in
his mouth. “First, the bones are just far enough apart that if you’re a kid, you
cannot resist
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