Science and Education in Karakalpakstan. 2023 №2/1 ISSN 2181-9203 278
excitement and pleasure are not among the main factors for modern poetry. If he ensures the
originality of the idea, he is considered to have fully achieved his goal:
sensizlikka ko‘nikdim biroq
har baxtli kunimda sening yoding bor[2,172]
.
In this couplet of U. Hamdam, the feeling of consent in the heart of the unrequited lover
served to ensure poetic integrity. In this, the image of the river is expressed in a very beautiful and
concise way. In other words, it is permissible to listen to the opinion of the poet in order to feel the
immense happiness behind the fact that he has not reached the peak of his life and getting used to
"sensizlik". After all, indifference does not present defeat to the poet, but success. It is true that the
poet feels happy behind this victory. His confession that “you have a mind” and his inability to
reach his goal never lead him to unnecessary troubles. Again, he felt very relieved, and in his mind,
I am convinced that my failure to reach your goal led me to happiness. In this case, the poetic image
is the beloved. If the meeting of two souls in the memories is the content, the passionate warmth of
love is aimed at uniting the souls. When memory is awake, a person breathes life, because a person
is alive with beautiful memories.
In the work of J. Izbaskanov, the honored poet of the Karakalpak people, we can see the
form of imagery proportional to the above content:
Ishqing sening qanchalar go‘zal! Go‘zallikdan shodalanaman men,
Hech so‘nmagin kuzgi quyoshim!?[3,63]
(
Meaning : Your love is so beautiful! I rejoice in beauty,
May my autumn sun never fade!?)
It seems that in this poem the poet expresses his happy life in beautiful allusions. Feeling the
beauty of love, feeling the joy of living in it, shows the great artistic thinking of the poet. In both
examples, the epic poetic content is embodied. He is taught to live with pleasure from every
moment of life, not to give long definitions and descriptions. Clever the reader also makes a habit of
enjoying its warmth.
In J. Izbaskanov's work, you can find many traditional hokku in Japanese poetry. In it, the
poet comes into conflict with his ideals, ideas, and sufferings. As a result, the poet's poetic image
appears convincingly, impressively, meaningfully.
An image in a work of art is not just a character or a metaphor; in fact, it has a wide range of
action. A literary image is a vision, concept, hypothesis that can be seen, felt, understood; a sum of
things, events, scenery, people, words, expressions, etc., that re-express life in a literary way. It
embodies many concepts, such as the author's literary ideal and attitude towards it, the reflection of
real existence, the inner world of a person.
In conclusion, we can say that the images in the works of Uzbek and Karakalpak artists have
common aspects. At the same time, it acquires its own character based on the mentality of each
nation. Every artist is a child of the land in which he lives and creates. Therefore, it is natural that
the sound of the earth is reflected in the expression of feelings and experiences.
References: 1.Современная книга по эстетике. Анталогия. – М., 1957. – С.366.
2.Ҳамдамов У. Сени кутдим. – Тошкент: Фан, 2007. – Б.172.
3.Избасканов Ж. Оқ қушлар. – Н.: Қарақалпақстан, 2014. – Б.63.
4.Йўлчиев Қ. Типологик ўхшашликлар: бирлик ва учлик. Монография. – Тошкент: Муҳаррир,
2016. – Б.194.