huge tanning pit from which he needed help to escape.
[63]
He is also said to have
put bread and butter into a teapot, drunk the concoction, and declared it to be the
worst cup of tea he ever had. According to another account, Smith distractedly
went out walking in his nightgown and ended up 15 miles (24 km) outside of town,
before nearby church bells brought him back to reality.
[62][63]
James Boswell, who was a student of Smith's at Glasgow University, and later
knew him at the Literary Club, says that Smith thought that speaking about his
ideas in conversation might reduce the sale of his books, so his conversation was
unimpressive. According to Boswell, he once told Sir Joshua Reynolds, that "he
made it a rule when in company never to talk of what he understood".
[64]
Portrait of Smith by John Kay, 1790
Smith has been alternatively described as someone who "had a large nose, bulging
eyes, a protruding lower lip, a nervous twitch, and a speech impediment" and one
whose "countenance was manly and agreeable".
[23][65]
Smith is said to have
acknowledged his looks at one point, saying, "I am a beau in nothing but my
books."
[23]
Smith rarely sat for portraits,
[66]
so almost all depictions of him created
during his lifetime were drawn from memory. The best-known portraits of Smith
are the profile by James Tassie and two etchings by John Kay.
[67]
The line
engravings produced for the covers of 19th-century reprints of
The Wealth of
Nations
were based largely on Tassie's medallion.
[68]
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