Questions 41–45 are based on the following reading passage.
History textbooks in the United States are far too fact-based and even
have the ability to
make students feel as though all history is made up of “Quick-Facts” and
diagrams, not dynamic
events to be critically analyzed. Furthermore, it is often the case that
textbooks are given undue
authority in determining the curriculum; many teachers simply “teach the
book.”
5 This is particularly disturbing when considering the fact that
state committees for choosing
textbooks often treat them, in the words of Sandra Wong, “more like
encyclopedias of facts than
as cultural products that convey values and perspectives” when deciding
which ones to pick. In her
article “Evaluating the Content of Textbooks: Public Interests and
Professional Authority,” Wong
discusses how textbook committees are rarely concerned with the actual
substance of the writing
10 in the textbooks they evaluate, and are far more interested in things like
“charts, illustrations, and
introductory outlines.”
What, then, would be a better tool to use in the high school
classroom than textbooks or
timelines for creating an effective learning environment that could reflect
the dynamic nature of
historical study? Out of all the various alternatives—going to plays,
hearing speakers, listening to
15 music, using interactive online resources, elucidating connections to
students’ personal lives by
going to local history museums or having students write
autobiographical essays, etc.—the most
promising is, by far, film. Movies are a magnificent way into history for
even the most resistant
naysayer of historical study. Film is a hugely popular medium with
endless numbers of historically
based works—everything from documentaries to dramas—that not only
present facts, but
20 dramatize the human relations behind those facts.
The main critique presented against the use of historical film in the
classroom is, of course,
the existence of rampant inaccuracies and biases laced throughout these
films, not to mention
the agendas of the filmmakers themselves. However, some historians
believe that these seeming
flaws are actually part of the reason why film is an ideal teaching tool—
not only does it allow
25 students to see history come to life, and thus interact with it
dynamically, as well as make history
immediately accessible to a modern audience because of the techniques
used in filmmaking,
but it can also foster deep critical thinking skills if instructors lead
dialogues after film viewings
about the inaccuracies, the biases, and all of the things that make the
film not just a record of a
historical event, but also a reflection of the modern moment.
41. Which of the following is not cited by the passage as an alternative
method for historical study?
(A)
Listening to music
(B)
Attending a lecture
(C)
Volunteering at an archeology dig
(D)
Writing a personal statement
(E)
Watching a film
42. The purpose of the passage is to
(A)
support the film industry
(B)
criticize government education policies
(C)
advocate a new process for textbook adoption
(D)
propose increased use of a particular didactic tool
(E)
denigrate an established philosophy
43. According to the passage, a problem with state committee textbook
selection is
(A)
the lack of education of the committee members
(B)
misplaced priorities
(C)
the dominance of larger states
(D)
valuing perspectives instead of facts
(E)
personal prejudices
44. The purpose of the last paragraph is to
(A)
acknowledge an insurmountable obstacle
(B)
raise and undermine an objection
(C)
reassert the need for alternative educational tools
(D)
admit a flaw in a preferred alternative
(E)
advocate more interactive instruction
45. The passage implies which of the following?
(A)
Students can benefit from exposure to inaccurate accounts of
history.
(B)
Students today prefer music to film.
(C)
Students today are functional illiterates.
(D)
Students today prefer charts to opinions.
(E)
Students today should not be exposed to political agendas.
|