George Bernard Shaw a penn State Electronic Classics Series Publication



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Bernard Shaw - Pygmalion

lessly about the room]. I’m sorry, Captain Shotover; but it’s no
use talking like that to me. Old-fashioned people are no use
to me. Old-fashioned people think you can have a soul with-
out money. They think the less money you have, the more
soul you have. Young people nowadays know better. A soul
is a very expensive thing to keep: much more so than a mo-
tor car.
CAPTAIN SHOTOVER
. Is it? How much does your soul
eat?
ELLIE
. Oh, a lot. It eats music and pictures and books and
mountains and lakes and beautiful things to wear and nice
people to be with. In this country you can’t have them with-
out lots of money: that is why our souls are so horribly starved.
CAPTAIN SHOTOVER
. Mangan’s soul lives on pig’s food.
ELLIE
. Yes: money is thrown away on him. I suppose his
soul was starved when he was young. But it will not be thrown
away on me. It is just because I want to save my soul that I
am marrying for money. All the women who are not fools
do.
CAPTAIN SHOTOVER
. There are other ways of getting
money. Why don’t you steal it?
ELLIE
. Because I don’t want to go to prison.
CAPTAIN SHOTOVER
. Is that the only reason? Are you
quite sure honesty has nothing to do with it?
ELLIE
. Oh, you are very very old-fashioned, Captain. Does
any modern girl believe that the legal and illegal ways of
getting money are the honest and dishonest ways? Mangan
robbed my father and my father’s friends. I should rob all
the money back from Mangan if the police would let me. As
they won’t, I must get it back by marrying him.


105
GB Shaw
CAPTAIN SHOTOVER
. I can’t argue: I’m too old: my mind
is made up and finished. All I can tell you is that, old-fash-
ioned or new-fashioned, if you sell yourself, you deal your
soul a blow that all the books and pictures and concerts and
scenery in the world won’t heal [he gets up suddenly and makes
for the pantry].
ELLIE 
[running after him and seizing him by the sleeve]. Then
why did you sell yourself to the devil in Zanzibar?
CAPTAIN SHOTOVER 
[stopping, startled]. What?
ELLIE
. You shall not run away before you answer. I have
found out that trick of yours. If you sold yourself, why
shouldn’t I?
CAPTAIN SHOTOVER
. I had to deal with men so de-
graded that they wouldn’t obey me unless I swore at them
and kicked them and beat them with my fists. Foolish people
took young thieves off the streets; flung them into a training
ship where they were taught to fear the cane instead of fear-
ing God; and thought they’d made men and sailors of them
by private subscription. I tricked these thieves into believing
I’d sold myself to the devil. It saved my soul from the kick-
ing and swearing that was damning me by inches.
ELLIE 
[releasing him]. I shall pretend to sell myself to Boss
Mangan to save my soul from the poverty that is damning
me by inches.
CAPTAIN SHOTOVER
. Riches will damn you ten times
deeper. Riches won’t save even your body.
ELLIE
. Old-fashioned again. We know now that the soul is
the body, and the body the soul. They tell us they are differ-
ent because they want to persuade us that we can keep our
souls if we let them make slaves of our bodies. I am afraid
you are no use to me, Captain.
CAPTAIN SHOTOVER
. What did you expect? A Savior,
eh? Are you old-fashioned enough to believe in that?
ELLIE
. No. But I thought you were very wise, and might
help me. Now I have found you out. You pretend to be busy,
and think of fine things to say, and run in and out to sur-
prise people by saying them, and get away before they can
answer you.
CAPTAIN SHOTOVER
. It confuses me to be answered. It
discourages me. I cannot bear men and women. I have to
run away. I must run away now [he tries to].
ELLIE 
[again seizing his arm]. You shall not run away from
me. I can hypnotize you. You are the only person in the house


106
Heartbreak House
I can say what I like to. I know you are fond of me. Sit
down. [She draws him to the sofa].
CAPTAIN SHOTOVER 
[yielding]. Take care: I am in my
dotage. Old men are dangerous: it doesn’t matter to them
what is going to happen to the world.

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