International bulletin of applied science and technology

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| Volu
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1114 
INTERNATIONAL BULLETIN OF APPLIED SCIENCE 
AND TECHNOLOGY
ECHNOLOGY 
 
UIF = 8.2 | SJIF = 5.955 
ISSN: 2750-3402 
IBAST
 THE ROLE OF KHORAZM DUTOR MAKOMS IN UZBEK 
MUSIC CULTURE 
Jumabayev Ogobek Otabek ugli 
Urgench State Pedagogical Institute 
1
st
year master's student, majoring in “Mmusic education and art” 
Rakhimov Botir
Research supervisor: (Phd) 
Urgench State University 
Head of the Department of Music Education 
https://doi.org/10.5281/zenodo.8068113
 
 
Abstract: This article contains a scientific discussion about the importance of Khorezm 
dutor maqams in Uzbek music culture and Uzbek maqam art. Information about the 
description of Khorezm statuses is also provided. 
Key words: Music culture, Khorezm art, Dutor makom, folk art, musical instruments and 
singing. 
Khorezm makoms are a type of status. In Khorezm, examples of classical music close to 
maqam roads have been known since ancient times. 
The system of six makom (Rost, Buzruk, Navo, Dugoh, Segoh, Iraq) that has reached us 
was formed on the basis of Shashmaqom at the beginning of the 19th century. Each status-
determining factor consists of a specific cadence system and the melodic paths that arise on 
its basis. Khorezm makams include chertim (instrument) and aytim (singing) sections, which 
have an independent structure, like Bukhara Shashmaqom. The road (section) of Chertim is 
made up of formal and relatively independent parts such as maqam, tarje, peshrav, 
mukhamas, saqil, ufar. If the initial tani makom and the concluding ufar are one in each 
makom, the peshrav, Mukhammas, and sakil that come in the middle are up to 2-3. The 
instrumental track is played as a soloist and as an accompaniment. In the solo, the tanbur is 
the main note. Chornavoz is usually performed in an ensemble consisting of tanbur, dutor, 
flute, bolamon, koshnay, gijjak, chan, doira. 
There are also dutor and trumpet tracks of Khorezm maqams. For example, at the 
beginning of the 19
th
and 20
th
centuries, 11 Khorezm dutor maqams were popular in Khiva: 
Chapandoz, Navoi, Sadri Irak, Tashniz, Agyor and other Tanbur works, unlike other Tanbur 
works, they were serial works, each of which consisted of 2-7 parts (for example, "Iraq" dutor 
status consisted of "Orta Ufori", "Nigoron", "Oromijon", "Boymukhammad", "Saklansin"). 
"Oraz bam va uforisi", "Majnun dali", "Raviy", "Miskin va uforisi", "Mongolian Ufori" were 
included in the 6th volume of "Uzbek folk music" by M. Yusupov. 
The way of saying is made up of the main parts such as status, interpretation, prose - 
branches and variant parts called tarona, suvora, naqsh, faryod and ufar, which are based on 
them. 

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