International bulletin of applied science and technology

IB
M
SC
R
 
| Volu
me 2,
 Is
su
e 8, Augus
t 
IB
AST
 
| Volu
me 3
, Is
sue 6
, J
un
e 
1115 
INTERNATIONAL BULLETIN OF APPLIED SCIENCE 
AND TECHNOLOGY
ECHNOLOGY 
 
UIF = 8.2 | SJIF = 5.955 
ISSN: 2750-3402 
IBAST
Initially, the ghazals of the Forstojik (Hafiz, Jami) and later Uzbek and Uzar classical 
poets (Navoi, Fuzuli, Munis, Ogahiy) were used in the performance of Khorezm maqams. 
Khorezm statuses and Bukhara Shashmaqom have common and different aspects. 
Externally, the status of Khorezm starts from Rost, Shashmaqom from Buzruk. In the 19
th
century, the song section of Iraq was forgotten, and the Panjgoh series consisting of 8 parts 
was created based on the songs of Rost status; Suvora, pattern, cry parts have their own 
characteristics; Group 2 branches such as Saut and Mongolian are not found. In terms of 
internal structure, most of them are distinguished by the independence of circle methods, 
melody, and performance style. 
Khorezm makoms were written in full by himself and his son Muhammad Rasul 
Mirzabashi in the tanbur line invented by Kamil Khorezmi (1886). Ye in the current notation. 
Romanovskaya chertim roads
1
and M. Yusupov the ways of clicking and saying
2
by written. 
Samples of other genres of Khorezm classical music (such as suvora, faryod) were also 
included in the collection "Khorazm Makomlari" (Tashkent, 1980-1987), which was later 
prepared for publication by M. Yusupov. Eat. Romanovskaya, Il. Akbarov recorded some 
pieces played by Matyoqub Kharratov on the tanbur (1934). The songs of K. Otaniyozov and K. 
Ismailov's Rost, Navo, Dugoh, Segoh (1949), H. Boltayev's Buzruk (1952) were recorded on 
magnetic tape in the field of art history. 
Major representatives of Khorezm authorities are Niyozjonkhoja, Kamil Khorazmi, 
Feruz, Khudoybergan Muhrkan, Matyakub and Matyusuf Kharratov, M. Khudoyberganov, K. 
Otaniyozov, H. Boltayev, M. Rakhimov, N. Yusupova, M. Yusupov, R. Jumanyozov and others. 
As for the foundations of Khorezm makoms, it is necessary to approach this issue from 
two sides. Because there are different views and conflicting opinions regarding the status of 
Khorezm, it is necessary to approach all of them to a certain extent, to understand which 
side's opinion is closer to the truth. It depends on the opinion of art fans. 
First of all, it is necessary to listen to the debates about the creation of Khorezm statuses 
and the methods of execution. According to some information, it is said that Khorezm 
1
Xorazm klassik musiqasi, T., 1939; 
2
Oʻzbek xalq musiqasi, 6 jild., Tashkent., 1958

---