berdi. Fransiya o‘rta asrlar arxitekturasi ustunlar diametriga qarab ustunlar proporsiyasini belgilamay qo‘ydi. Yagona order bu - korinf, kapitel ~ roman ustunlari asosi va kapitel o‘rta asrlar bezagiga ta’sir etgan368. Har bir bezak elementi terish ( yotqizish) qatorlari soniga mos boMishi kerak edi. Kapitel 1 yoki 2 qatorga to‘g‘ri kelishi kerak edi. Ustun balandligiga kapitel proporsional emas. “ T he W orld H istory o f Architecture. L on don. A u g u ste C h o isy .2 0 0 9 . P.385 (Onocrr Ш уази. В сео б щ а я история архитектуры - О О О И здательство Э К С М О . 2 0 0 9 k ito b n in g rus tilidagi talqinidan fo y d a la n ilg a n ) (A n arcade is a row o f arches, supported on p iers o r c o lu m n s. T h ey o c c t r in the interior o f large churches, separating th e n a v e from the a isle s, and in large secu lar interiors sp a ces, su ch a s the great hall o f a ca stle, supporting the tim bers o f a r o o f or upper flo o r. A rcades also o ccu r in c lo iste r s and atrium s, e n c lo s in g an o pen space. A rcades can o ccur in sto rey s or stages. W h ile the arcade o f a c lo iste r is ty p ic a lly o f a s in g le sta g e, the arcade that d iv id e s the na v e and a isle s in a church is ty p ic a lly o f tw o stages, with a third sta g e o f w in d o w o p en in g s know n as the c leresto ry risin g a b o v e them . Arcading o n a large scale generally fu lfils a structural purpose, but it is a lso used, g en era lly on a sm a ller s c a le , as a d e co ra tiv e feature, both internally and extern a lly w h er e it is frequently ’‘blind arcadin g'* w ith o n ly a wall or a narrow p a ssa g e b ehind it.) y’* T h e W orld H istory o f Architecture. London. A u g u ste C h o is y .2 0 0 9 . P .3 8 5 (О г ю с т Ш уази . В с е о б щ а я история архитектуры. О О О Издательство Э К С М О . 2 0 0 9 k itob ning rus tilidagi talqinidan fo y d a la n ilg a n ) (C o lu m n s are an
