140
MUNDARIJA
Kirish ................................................................................................3
I bob.
Bastakorlik ijodi tarixi .......................................................8
1.1. Ilk o‘rta asrlar bastakorligi .......................................................8
Borbad ijodi ............................................................................10
Abdul Faraj al-Isfahoniyning «Qo‘shiqlar kitobi» ..................12
1.2. Rivojlangan o‘rta asrlar bastakorligi ......................................14
Alisher Navoiyning «Majolis un-nafois» asari ......................16
Alisher Navoiyning «Holoti Pahlavon Muhammad» asari ...18
1.3. So‘nggi o‘rta asrlar bastakorlik ijodi
Darvish Ali Changiyning «Musiqa risolasi»da
bastakorlar siymolari. ..............................................................20
II bob.
O‘zbek bastakorligida mahalliy uslublar .....................27
2.1. Buxoro – Samarqand bastakorlik maktabi ............................34
Ota Jalol Nosirov ....................................................................35
Ota G‘iyos Abdug‘ani .............................................................36
Hoji Abdulaziz Abdurasulov ....................................................37
2.2. Toshkent – Farg‘ona bastakorlik maktabi ..............................40
Imomjon Ikromov ...................................................................40
To‘xtasin Jalilov ......................................................................45
Yunus Rajabiy .........................................................................50
Muxtorjon Murtazoyev ...........................................................56
Jo‘raxon Sultonov ...................................................................62
2.3. Xorazm bastakorlik maktabi ..................................................65
Qurbonnazar Abdullayev ........................................................66
Komiljon Otaniyozov ...............................................................68