Theory and practice of translation course paper theme: george bernard show and the "unpleasant" aspects of his plays

III.CONCLUSION
In this work I tried to make a scientific analysis of Bernard Shaw’s life, literary activity and his contribution to the treasure of world literature and one of his famous works Pygmalion. Shaw was a prolific writer. He was a playwright, a novelist, a critic and a publicist. He made success in the field of realistic drama. He criticized bourgeois moral, robbery, appropriation of the fruits of other common people’s labour, showed injustice of the society. George Bernard Shaw was not merely the best comic dramatist of his time but also one of the most significant playwrights in the English language since the 17th century. Some of his greatest works for the stage—Caesar and Cleopatra, the “Don Juan in Hell” episode of Man and Superman, Major Barbara, Heartbreak House, and Saint Joan—have a high seriousness and prose beauty that were unmatched by his stage contemporaries. His development of a drama of moral passion and of intellectual conflict and debate, his revivifying of the comedy of manners, and his ventures into symbolic farce and into a theatre of disbelief helped shape the theatre of his time and after. A visionary and mystic whose philosophy of moral passion permeates his plays, Shaw was also the most trenchant pamphleteer since Swift, the most readable music critic in English, the best theatre critic of his generation, a prodigious lecturer and essayist on politics, economics, and sociological subjects, and one of the most prolific letter writers in literature. By bringing a bold critical intelligence to his many other areas of interest, he helped mold the political, economic, and sociological thought of three generations.


IV.REFERENCES

1. 
   English and Western Literature. Oxford University Press, 1993
   
2. 
   Abduvaliyev M. A. Pages from the History of English and American Literature. Andijan, 1997
   
3. 
   Бачкало И.Б. Бернард Шоу. М.,1999
   
4. 
   Davis, Tracy C. George Bernard Shaw and the Socialist Theatre. Westport, Conn.: Greenwood Press, 1994.
   
5. 
   Dukore, Bernard Frank. Shaw’s Theater. Gainesville: University Presses of Florida, 2000.
   
6. 
   Holroyd, Michael. The Search for Love, 1856-1898. Vol. 1 in Bernard Shaw. New York: Random House, 1988.
   
7. 
   The Pursuit of Power, 1898-1918. Vol. 2 in Bernard Shaw. New York: Random House, 1989.
   
8. 
   The Lure of Fantasy, 1918-1950. Vol. 3 in Bernard Shaw. New York: Random House, 1991.
   
9. 
   Innes, Christopher, ed. The Cambridge Companion to George Bernard Shaw. New York: Cambridge University Press, 1998.
   
10. 
    Larson, Gale K., ed. Shaw: Volume 21 in the Annual Bernard Shaw Series. University Park: Pennsylvania State University Press, 2001.
    
11. 
    Lenker, Lagretta Tallent. Fathers and Daughters in Shakespeare and Shaw. Westport, Conn.: Greenwood Press, 2001.
    
12. 
    http://en.wikipedia.org/
    
13. 
    http://www.fashion-era.com/
    
14. 
    http://www.localhistories.org/