QUARTERLY
THE
M A R K E T E R
THE SEVEN PLOTS ALL
STORIES MUST FOLLOW
LESSONS OF OSCAR-
WINNING MOVIES
CONTENT MARKETING:
STRATEGY OR TACTIC?
I s s u e 3 Q u a r t e r 2 2 0 1 8
WHY THEY
MATTER AND
HOW TO TELL
BETTER ONES
the 50 best
marketing blogs
BRIAN SOLIS ON
THE STORYTELLING
CHALLENGE
THE
MAGIC
OF
seth godin
on stories
vs anecdotes
STORIES
15 S o p h i s t i c a t e d M a r k e t e r
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S o p h i s t i c a t e d M a r k e t e r 3
O
nce upon a time storytelling was something
that parents did at bedtime, or novelists did
when their publisher asked for a book, or film
directors did to win an Oscar. It wasn’t part of
any marketer’s job description, and it certainly wasn’t a
skill they would list on their LinkedIn profile.
Then, suddenly, in 2012, everything changed. In just
two years, storytelling went from something no market-
er mentioned about themselves to an essential market-
ing skill, one listed by almost 10% of marketers world-
wide as part of what they do.
What changed? Why did marketers suddenly decide
that they needed to tell better stories? And have we
really learned what it means to be a storyteller? These
are the questions we answer in this special issue of The
Sophisticated Marketer Quarterly as we dive into
the state of storytelling in marketing.
In our special features, we’ll be exploring
what storytelling really means to marketers:
the challenges it lays down, the opportunities
it opens up, and the reasons why it’s such an
effective form of communication for both B2B
and B2C. We talk to Brian Solis about why he
believes storytelling principles need to trans-
form marketing and future-proof it in the
process. We use the 7 plots of stories to challenge wheth-
er brands have what it takes to be genuine storytellers,
and we’ve got bags of practical advice from experts
on how to develop your proposition into a genuinely
compelling story.
You’ll find all of our regular features too, plus our
exclusive ranking of the 50 best blogs for B2B market-
ers, lessons and inspiration from Oscar-winning movies,
TED talks and punk rock bands, and how to tell if you
really have a content marketing strategy.
That’s the story of this issue. We hope you enjoy it!
FROM THE TEAM
WELCOME TO OUR STORYTELLING SPECIAL ISSUE
Cream
Publishing
Cream Publishing, Adur Business Centre, Little High Street, Shoreham-by-Sea, West Sussex BN43 5EG.
THE TEAM:
EDITORS Jason Miller
I
Jane Fleming
I
Christina O’Connor
I
Megan Golden
I
Alex Rynne
I
Sean Callahan
I
Kylee Lessard
I
Steve Kearns
I
CONTRIBUTORS Nico Lutkins
I
Keith Browning
I
Tom Pepper
I
Gearoid Buckley
I
Andrew Monu
I
Ashraf Kamel
I
Amanda Nelson
I
Gini Dietrich
FOR CREAM PUBLISHING:
CONSULTANT EDITOR Matthew Cowen
I
ART DIRECTOR Tim Mapleston
I
DESIGNER Vicky Trainer
I
PUBLISHER Victoria Furness
lnkd.in/EMEA-Blog
lnkd.in/US-Blog
15 S o p h i s t i c a t e d M a r k e t e r
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Data is never the whole story. If you use it as we do, creatively and inventively, it
has the power to bring brands together with the right people at the right time. But for
something more to happen there must be a spark of connection, some humanly relevant meaning
in the moment. Precision needs feelings. And our ability to bring those two together is why
we’re the first global creative B2B powerhouse that’s truly full service.
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C O N T E N T S
SPECIAL FEATURES
WHY THE ART OF STORYTELLING
IS ALL IN THE MINDSET
Nico Lutkins on the neuroscience that
makes storytelling so important.
THE RISE OF STORYTELLING
LinkedIn data shows how storytelling
went from a sideline to an essential
marketing skill.
BRIAN SOLIS: STORYTELLING CAN
SAVE MARKETING
The bestselling author explains how
marketing needs to evolve, and how
telling stories can help.
THERE ARE ONLY SEVEN STORIES.
ARE YOU TELLING ONE OF THEM?
Keith Browning on the seven plots
that all stories must follow.
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T H E S T O R Y T E L L I N G I S S U E
6 S o p h i s t i c a t e d M a r k e t e r
C O N T E N T S
ESSENTIAL WISDOM FROM
THE SOPHISTICATED
MARKETER’S PODCAST
The best of Season Six of our
podcast, starring Seth Godin,
Scott Stratten and David Shing.
THE ART OF TELLING
STANDOUT STORIES
Amanda Nelson of Salesforce
explains how answering five
questions can help create
compelling B2B stories.
THE BEST TED TALKS
ON STORYTELLING
Gearoid Buckley selects the best
TED inspiration on the art and
science of stories
CONFRONTING
UNCONSCIOUS BIAS
Andrew Monu explains why
being on the receiving end of bias
doesn’t make you immune to it.
50 GREAT B2B
MARKETING BLOGS
The 50 blogs every B2B
marketer should follow.
YOUR 5-STEP GUIDE TO A
GREAT B2B BRAND STORY
Gini Dietrich on the art of
compelling B2B brand building.
TOOLBOX
Trends, top tips, insights
and inspiration.
HOW TO MAKE A QUICK AND
EASY PROFESSIONAL VIDEO
FOR LINKEDIN
Take control of video content and
give yourself creative options.
THE SECRETS OF EPIC
STORYTELLING THROUGH DATA
LinkedIn Learning’s Paul Petrone
explains why data needs stories.
HOW TO SET UP A SUCCESSFUL
MARKETING TEAM
Great insights from IBM’s UK and
Ireland CMO, Lisa Gilbert.
ASTONISHING TALES:
How a tire brand became the
ultimate authority on fine dining.
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S o p h i s t i c a t e d M a r k e t e r 7
SIX BIG IDEAS
Tom Pepper explores the
latest thinking on voice-based
brands, video content,
purpose and more.
WHY CONTENT MARKETING
STRATEGY MATTERS
Not all content marketing
is strategic, but it certainly
should be.
HOW WATCHING
OSCAR WINNING FILMS
CAN HELP YOUR
CONTENT MARKETING
Inspiration from Forrest Gump,
Gladiator, Crash and
The Silence of the Lambs.
‘THIS IS US’
AND THE SECRETS
OF EMOTIONAL
CONTENT
The formula behind
emotional rollercoaster
content that TV audiences
can’t resist.
THE LAST RING HOME
How one marketer turned
a family secret into an
award-winning film.
THE MARKETING GENIE
The proof that marketing
solutions content can
make for a surprisingly
cute bedtime story!
FRESH SPIN
How a side-hustle as a DJ helps
one LinkedIn marketer hit the
right notes.
WHAT’S IN YOUR BAG
LinkedIn’s award-winning
marketer, Alex Rynne.
21 QUESTIONS WITH
KATE HOWE
The CEO of gyro talks media
transparency, integration and
zombie apocalypses.
CONTENT HEROES:
DESPERATE BICYCLES
What marketers should learn
from a pioneering punk band.
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8 S o p h i s t i c a t e d M a r k e t e r
lot of time is spent discussing the art and craft of storytelling
as it applies to marketing. But there’s a crucial part of the
science behind stories that gets far less attention than it
should. Stories aren’t just written and produced in the studio
and creative department; they are co-created in the minds
of the audience. And for this reason, the mindset of the
audience you are telling a story to has a huge influence
over how effective that story will be.
STORIES AS SUBSTITUTE MEMORIES
Neuroscentifically speaking, the way that a listener
or reader experiences a story mimics the creation
of their own most important and influential
memories. And this is where storytelling’s unique
power comes from. We don’t remember the story
as something that happened to somebody else; we
recall, imagine and relive it as if it happened to us.
We apply it to our own lives.
Great stories achieve this through a potent
memory package: a sort of mental slam dunk
combining all of the elements that are required
to form powerful ‘affective’ memories. These are
the memories that we can feel rather than just
recall. They spring to mind unbidden whether we
ask them to or not, and they therefore have a huge
influence over our choices.
Stories create such powerful memories because
they connect characters, facts and events in a way
that satisfies our urge to make sense of things. They
use emotion to flood the brain with chemicals that
strengthen our neural connections and form more
powerful associations and memories. Above all,
they convince us that they are worth remember-
ing by aligning with the things that matter most to
us, but doing so in a novel, attention-grabbing way
that we’ve never quite experienced before.
WHAT MAKES A GREAT STORY?
It is the alignment with our deeper
motivations that is the most crucial
factor in any story’s success. If it
doesn’t bring to mind something
that our brain considers important,
we won’t commit to it as listen-
ers. We won’t reshuffle our mental
connections to accommodate it,
and we won’t release the power-
ful emotion-derived chemicals that
ensure it influences us in the future.
Standard, run-of-the-mill storytellers push the
most obvious emotional buttons with reference to
children, families and romance; but this approach
doesn’t often translate into long-term influence.
The brain does the equivalent of a ‘so-what’ shrug
and doesn’t bother rewiring our memories around
the story – because at the end of the day, it’s heard
it all before. If you want your story to hit home,
you either need to find a new way to address these
A
We recall, imagine
and relive stories
as if they are
happening to us -
we apply them
to our own lives
T H E B R I E F
BACK TO CONTENTS PAGE
Nico Lutkins introduces our Storytelling Issue, and explains why this is such an
important strategy for content marketers targeting professional audiences.
Why the art
of
storytelling
is all in the
mindset
S o p h i s t i c a t e d M a r k e t e r 9
themes, or you need to recruit your audience’s deeper and more personal
motivations; motivations that are touched upon a lot less regularly.
TIME TO MINE SOME DEEPER MOTIVATIONS
This is where mindset and media choice come in. The best brand storytell-
ers (think Dove, Volvo Trucks, GE with The Message podcast or HP casting
Christian Slater in The Wolf) don’t gravitate towards traditional broadcast
media as their storytelling platform. They use social
environments where we are more actively engaged
and our personal priorities are that bit closer to
the surface. However as audiences are bombarded
with more and more stories, the smartest storytell-
ers will start to distinguish between the motiva-
tions and personal priorities in play on different
social platforms. They will seek out the priorities
that haven’t been pitched to before.
The professional mindset that B2B marketers
aim to influence brings a lot of our deepest most
powerful motivations to the surface. This mindset
is purposeful, individual and aspirational. It’s
concerned with establishing and maintaining an
identity, achieving happiness, fulfilling potential,
dealing with setbacks. For a storyteller looking
to achieve real impact and standout, that’s a lot
of emotional raw material, and it’s often largely
untapped raw material.
INVITATION TO INNOVATIVE STORYTELLING
It’s not always fashionable to admit it, but storytell-
ing is an inherently interruptive creative strategy.
Great stories compel us to stop what we are doing
and pay attention. They do this by talking to what
truly motivates us, and in doing so, they can exert a
far deeper influence than other forms of marketing.
For these reasons, it’s very much a myth that
storytelling is only a valid strategy for B2C brands.
It’s just as powerful an approach for anyone looking
to engage and influence B2B audiences.
BACK TO CONTENTS PAGE
BACK TO CONTENTS PAGE
S o p h i s t i c a t e d M a r k e t e r 11
Seth Godin:
The crucial difference
between anecdotes
and stories
Seth Godin used the example of “the
boy cried wolf but the villagers didn’t
come” to show how a great story
can involve just nine words. Stories
are universal because of the way we
identify with them and the result that leads to. Whether they happened or not is the
least important thing about them:
“An anecdote is interesting because it happened to you – and it’s only interesting
because it actually happened. A story is more universal than that. A story involves
tension, and it involves identity.
“There are wonderful stories that many powerful brands have been built around.
They’re about identity, about culture and the change that we seek to make. What we do
when we do great marketing is we tell stories; stories that create tension, stories that
lead to forward motion.”
This is just a tiny sample of the wisdom that came
our way during Season Six. You can explore more
of it in our Sophisticated Marketer’s Book of
Wisdom, available for free download at
lnkd.in/marketing-wisdom
Scott Stratten:
“A few thousand extra
views aren’t worth
your integrity”
The iconoclastic marketing podcaster was stag-
gered by the number of brands who try to lever-
age the news to amp up the virality and impact
of content. Plenty have ended up celebrating
death and tragedy as a result, and lost the re-
spect of their audience.
Maria Pergolino:
“You don’t have to invest directly
in AI to benefit from AI”
The Anaplan CMO says
marketers don’t need
to invest directly in AI
to benefit from it. Keep
an eye out for potential
suppliers and partners
who are using AI to
enhance what they can
do for you. For anyone
feeling intimidated by
digital transformation,
that’s a simple but
empowering thought.
Jack
Kosakowski:
“The less you
talk about
yourself, the
more people
will want to
talk to you”
As a marketer, it’s
easy to assume that
your sales teams want
you to sell for them. The CEO of Creation Agency says this is
the last thing that good sales reps want. They know content
that goes on and on about how wonderful your products are
will turn audiences off. The less you talk about yourself, the
more people want to talk to you. Sales teams want content
that adds value and complements what they do, not that
replicates selling.
Pieces of essential wisdom
Season Six of The Sophisticated Marketer’s Podcast was by far the biggest in our show’s
three-year history. Here are just some of the inspiring ideas shared by a star line-up of guests:
FROM THE SOPHISTICATED
MARKETER’S PODCAST
Dave Shing:
“Brands aren’t
just seen”
In a voice-led world, brands will
increasingly be heard, touched and
sensed in other ways. What does your
brand sound like? What’s it feel like?
Does it have a gesture that embodies
it? Shingy wants all marketers to start
thinking in different dimensions.
W0RDS BY JASON MILLER
T H E B R I E F
BACK TO CONTENTS PAGE
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S o p h i s t i c a t e d M a r k e t e r 13
T H E B R I E F
Amanda Nelson
ON THE ART OF TELLING STANDOUT STORIES
e all tell stories. From
that 9am meeting about
a new customer win to
reading books to your
child at bedtime, you’re a storyteller. Yet,
if we’re all storytellers, that equates to a
heck of a lot of stories. As marketers, we
must not simply tell stories; we must tell
standout stories. Standout stories evoke
emotion, and ideally action. These are the
stories that inspire, excite and entertain.
For marketers, storytelling takes
mundane case studies and press releas-
es and turns them into interesting,
engaging content. Storytelling works on
any channel and any medium, wheth-
er it’s a customer quote in a Tweet,
an in-depth customer interview on a
webcast, or a massive ebook featuring
the stories of 100 customers.
How do you find and tell the best
stories? It’s all about answering the right
questions before you start writing:
WHO’S ATTENDING
STORY TIME?
This question is all about
your audience. Who
are you trying to reach?
Understanding your
audience is crucial to
telling stories that your
prospective customers
(or even current custom-
ers) want to hear. This understanding
helps you write in their language, address
their needs, and tell the stories of their
peers. Establish your audience, so you
deliver the right message to the right
audience.
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