Writings in the margin of notebook



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“Writings in the margin of notebook” by Utkir Khoshimov


THE MINISTRY OF HIGHER EDUCATION, SCIENCE AND INNOVATIONS OF THE REPUBLIC OF UZBEKISTAN

SAMARKAND STATE INSTITUTE OF FOREIGN LANGUAGES

COURSE WORK
THEME: “WRITINGS IN THE MARGIN OF NOTEBOOK” BY UTKIR KHOSHIMOV

Scientific supervisor:
Done by:
Group:
CONTENTS
INTRODUCTION……………………………………………………………………..3
CHAPTER I. GENERAL DATA ABOUT OTKIR HASHIMOV AND INFLUENCE OF HIM WORKS FOR UZBEK LITERATURE
1.1. Life and work of Otkir Hashimov ………………………………………………..5
1.2. The importance of O'tkir Hoshimov's works in Uzbek literature…………………7
CONCLUSION ON CHAPTER I………………………………………………….10
CHAPTER II. FEATURES OF OTKIR HASHIMOV'S WORK “WRITINGS IN THE MARGIN OF NOTEBOOK”
2.1. Artistic and philosophical features of Otkir Hashimov's work “Writings in the margin of notebook”…………………………………………………………………………..11
2.2. Some samples of “Writings in the margin of notebook”………………………....13
CONCLUSION ON CHAPTER II…………………………………………….……16
CONCLUSION………………………………..……………………………….…….17
THE LIST OF USED LITERATURE………………………….…………………18


INTRODUCTION
A person seeks to develop the subtle nuances and tones of the heart and soul, to reflect them through words. The highest level, the examples of fiction that can reach the highest levels, represent the thoughts, experiences, and hopes that stir and excite humanity. Just as people in the world are not alike, their emotional experiences are also unique. Importantly, they are not limited to improving our knowledge, but serve to improve our artistic taste and spiritual maturity.
Otkir Hashimov features a commendable put within the advancement of Uzbek literature, or or maybe exposition, of the moment half of the 20th century. Within the conditions of the built up administration, he gained consideration among the individuals with his fair words. The author continuously tried to say the proper thing in his works. Maybe there are shallow places in his stories, plays, stories, but the author never told a lie, did not offer his soul by playing the drum of dictatorship, philosophy, legislative issues, and did not enter the path of compromise. He was fascinated by the age-old problem of the craftsmanship of words - the confuse of identity, the expression of the sense of social equity. Within the world of writing There are terms "artist in composition" and "writer in composition". Within the unused Uzbek writing, Abdulla Qadiri and Said Ahmed are legitimately called artists of exposition those who gotten In advanced Uzbek writing, Otkir Hashimov can too be called a exposition writer, and his develop works can be called composition tunes and taronas.

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