The Tale of Genji
, 259–60; text details,
238; and
The Water Mirror
, 137, 250n
Collcutt, Martin, 210, 212n
Collected Treasures
(Hōbutsushū) (Taira
no Yasuyori), 75–77, 78, 79
The Complete [ten-tenths] Illustrated
Mirror
(Ehon masukagami), 275,
275–76n
Composed upon Passing Through Qua,
Having Been Named General
(Shi zuo
zhenjun canjun jing Qua zuo) (Tao
Yuanming), 177–78
A Comprehensive Mirror for Assisting
Governance
(Zizhi tongjian) (Sima
Guang), 11n, 12n, 277–78n, 284
A Comprehensive Mirror of Our Sover-
eignty
(Honchō tsugan), 11–12n, 276,
278n
Comprehensive Mirror of the Eastern Land
(Tongguk t’onggam), 11–12n
Confucianism, 244, 247n
Confucius, 150, 160
Conlan, Thomas, 132–33, 134–35, 218n,
224, 244n, 248n, 250, 254, 273, 274
Continued Subsequent Records of Japan
(Shoku Nihon kōki), 5
continuities with past: in
The China
Mirror
, 87–88; in
The Mirror of the
East
, 225–26; in
The New Mirror
,
68–69, 72–73; and social disorder,
109–10; in
The Water Mirror
, 1, 87–88,
102, 109–10
cosmological principles, 4, 23; absence in
The China Mirror
, 173, 180–81, 188;
absence in
The Clear Mirror
, 258–59,
265, 272–73, 274; and absence of
preface, 207–8; and authority, 30,
96–97; and Buddhist final age beliefs,
2, 25–26, 35, 50–51, 105; and future,
100, 105–6, 107, 187; and Genpei War,
25, 107–8, 212–15, 223; in
Gods and
Sovereigns
, 244, 245, 246–48, 272; in
310
Index
cosmological principles (
continued
)
The Great Mirror
, 2–3, 23, 25, 46–47;
Kūkai on, 12, 13; as legitimization of
Kamakura
bakufu
, 223, 225; and local
outlook, 121–27; and mirror metaphor,
12, 13, 181, 207–8; in
The Mirror of the
Watchman in the Fields
, 234–35, 237;
and
My Humble Thoughts
, 23, 181,
182–87, 236–37, 247, 272; and
nostalgia, 187; and ordering the past,
30; overview, 278–79; and
Plums and
Pines
, 249–50, 265, 272; and social
disorder, 25, 51, 107–8; in
The Tale of
the Heike
, 251–52, 273; unstated in
The
Mirror of the East
, 208, 209, 219, 226,
236–37, 250, 273; unstated in
The
Mirror of the Gods
, 268–69, 272–73,
274; and Wada Rebellion, 218.
Se
e a
lso
Buddhism; time as endless cycle
court culture: and absence of preface,
221–22; Chinese history as source of
prestige in, 139–40, 142, 155; and
The
Clear Mirror
, 258n, 259–60, 264; and
Fujiwara cooperation, 64; and
kanbun
/
wabun
blending in
The Water Mirror
,
128–29; and
The Mirror of the
Watchman in the Fields
, 200, 227, 234;
The New Mirror
on, 59, 61–62, 68–69;
and setting of
The China Mirror
,
220–21.
Se
e a
lso
court culture/
authority, separation from; divided
court
court culture/authority, separation from:
in
The Great Mirror
, 43–44, 45; in
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