Science and Education in Karakalpakstan issn 2181-9203 Science Magazine chief editor

 
Rezyume: 
Maqolada Qoraqapog‘iston Respublikasida qizilmiya yetishtirish va qayta 
ishlash tizimida integrasion aloqalarni rivojlantirish assosida kooperatsiyani shakllantirish va 
samaradorligini oshirish bo‘yicha bo‘yicha takliflar bildirilgan. 
Резюме:
В статье вносятся предложения по формированию сотрудничества и 
повышению его эффективности на основе развития комплексных отношений в системе 
выращивания и переработки солодки в Республике Каракапогистан. 
 
Kalit so‘zlar:
qizilmiya ildizi, qizilmiya ekstrakti, kooperatsiya, vertikal kooperatsiya, 
gorizontal kooperatsiya, klaster, assotsiatsiya. 
Ключевые слова:
корень солодки, экстракт солодки, кооперация, вертикальная 
кооперация, горизонтальная кооперация, кластер, ассоциация. 
 
 
 
 
 
 
 
 
 
 

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Science and Education in Karakalpakstan. 2023 №2/1 ISSN 2181-9203 
90 
USE OF PATTERN ORNAMENTS IN ART DECORATION OF HISTORICAL 
MONUMENTS
Ubaydullaev L.J.
Karshi State University 
Summary:
This article focuses on the artistic significance and artistic features of pattern 
ornaments in historical monuments from the 9th century to the present day. The types of historical 
patterns and the secrets of practical decorative art of this period, the methodology of development 
are widely covered. 
Keywords:
ornament, girikh, Islamic, kundal, Ko'kaldosh, peshtoq, Labihovuz, khanakah, 
madrasa, pattern. 
The principles of economic, political, religious and social outlook played a significant role 
in the formation of practical art in Uzbekistan. Applied art of Uzbekistan has a rich history. The 
uniqueness of the history of Uzbek applied art is related to the way of life of the peoples of our 
region from the distant past to the present. For example, with the introduction of Islam to our 
territory, the artistic style of modern applied art has fundamentally changed, and this style develops 
within the framework of pattern aesthetics from the 9th century to the beginning of the 20th 
century. The applied art of modern Uzbekistan is also developing in the direction of the same 
pattern style. There is a lot of wisdom in the saying that in order to know how any nation lives, first 
of all, look at its creative works. Our great-grandfather Amir Temur also taught us, "If you want to 
know our power, look at the buildings we built." They say that a person who is inspired and able to 
paint from the heart with passion and pleasure at least once in his life is happy. Each of us, in our 
childhood, tried to draw a picture of the sun, flowers, birds, and trees with a brush or paint. The 
same thing is a vivid expression of the happy experiences and feelings of a person directly from life 
(1-45b). 
Our architects began to seriously approach the study of the philosophical meanings of the 
image symbols in the national architectural monuments. Scientists of Uzbekistan and the world pay 
attention to their comprehensive study and are conducting scientific research in this regard. 
Nevertheless, some aspects of the historical-architectural buildings are still not seriously studied. 
The restoration, re-creation and development of the art of painting, which is one of the areas that 
show the aspects related to the unique national taste, skills and thinking of our people, should be 
closely followed in the education system. creating the need for learning. Uzbekistan's architectural 
monuments and their exquisite decorative masterpieces are another opportunity to understand the 
spiritual history of our identity, roots, past, and ancestors, which are clearly shown in our beautiful 
examples. Of these, ancient symbols are still surrounding us in the decoration of historical 
monuments in cities such as Samarkand, Khiva, Bukhara, Fargona, Kukon, Karshi, and Tashkent, 
but sometimes we do not notice them. Infinite wisdom is hidden in the symbols on these 
decorations. But, unfortunately, the symbolisms in the architectural monuments have not been 
solved due to insufficient research
. 
When drawing a pattern, two sources are mainly used - natural and geometric forms. Plants, 
animals and birds are the image objects of pattern art. It is known that each pattern pattern consists 
of a set of unique pattern elements. Stylization means processing the natural forms of various forms 
taken from the flora and fauna, for example, bushes, branches, branches, leaves, flowers, fruits, etc. 
In this case, the selected shape is made into a decorative shape that can be added to the composition 
of the pattern. In this, the student learns to clearly and concisely describe the external appearance of 
a whole object with the help of several artistic lines. Despite the fact that the overall patterns used 

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